Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
You know, in some ways you have really good instincts for music. However, your ego and ideology get in the way of becoming a better listener.  Its all there to be heard and it is obvious when one becomes a more open minded, hence better, listener.  Some prefer to limit the experience of listening to what supports one’s ideology.  A personal choice; but opportunity lost.

Btw, I know Burns’ doc well and there is no inconsistency.  

Glad you enjoyed the video, Alex. Very interesting indeed. Wynton is one of the most insightful and knowledgeable figures in music today; and very erudite.
The disagreement has to do with, among other things, the origin of Jazz and the influence of the music and culture of countries outside of America on that origin. They are universally (not Rok) recognized ideas on how those multi ethnic influences shaped Jazz as we know it today. No art form is created in a vacuum, independent of the ethnic and cultural influences of its creators; whether direct or handed down.
Frogman, I understand and I agree, about the art in general.
Still, as outsider I am not quite sure what do you and Rok mean by 'ideology' ?
Obviously, your different points of view are not releted to music only, but to 'politics' in wider sense of a word.
Why would someone as  knowledgeable as Wynton claim something that is not true and with it put his reputation at stake?
Is it too much to ask that we stick to that subject and that you guys express your thoughts? Others are welcome too.

Here, where I come from, we have sort of ongoing conflict between different national and religous groups which is silly, because they are all beeing exploited by the same class of people only wearing different 'colors' (has nothing to do with race)

Just wanted to say that members of different nations (here) are trying so hard to present themself as different from another (despite sharing many, many things, including language, which is also something majority strongly deny) and that they would never publicly admit that they have anything that conects them.

Is there something like that in US going on (talking about origins of jazz music) ?
If there is some ideology behind it, I would asume that there would be more people who think like Rok, but than again, I cant imagine that somebody like Wynton would deny something so crucial for identity and heritage, not only his, but of whole nation?

Wynton Marsalis is a Johnny come lately who was never able to do anything with a blank sheet of music paper as far as jazz is concerned, and Frogman has been trying since day one to say that everyone including maybe Martians had something to do with American jazz.

Real "modern" jazz is music that came from the inner sanctum of the Black urban inner cities. It is the musical expression of complex emotions that can only be expressed musically.

There is the possibility that some of these emotions have only been felt by descendent's of slaves and consequently can not be comprehended by others, not even those who went to "Julee Yard".

The best example of a jazz musician that creates music which expresses complex emotions that are commonly felt by descendant's of slaves is "Bobby Timmons"