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Miracles in Audio, by luck, by good choices,by design or by tweaking...

I owned a low cost headphone for many years, the Fostex TH7B, first version( a new one close version exist Fostex TH7BK), semi-open headphone...I was never completely satisfied by any headphones I ever owned: Hifiman 400, Stax basic lamda, Stax 5 gold,Akg 340,Akg 701, beyerdynamic 990, and T150... Because in each of them with all their qualities I never listen to at the same times, a confortable headphone with natural timbre and voicing, with a good imaging and a realistic soundstage(not too close to my ears)...


For the last days I tweaked this Fostex, to damp his internal resonance I used sorbothane, I put some shungite stones at the exterior part of the cups and I use some Herkimer diamond in the interior pads( 3 at 120 degree) … Now this low cost headphones crush all my others if I sum all his qualities... For example his mids and voicing cannot beat the AKG 340 but among all my other headphones it is the best that is near that mids and it is more confortable, and with longer cable than the 340...His imaging is better and more realistic than the 340 etc etc...It is the same if I compare with the others...


His most important qualities is natural timbre and clear imaging,very precise pinned point accuracy and natural, so clear it crush for that ALL the others to dust...In the French audio circle the reviews were more than very positive few years ago...Diapason d’or and choc Classica...I am not the only one impressed buy the ratio quality/price... But remember that thesae reviewers dont tweak their headphone...The difference between before and after the tweaks are staggering...


Yes Miracles happens in Audio: cost is under 100 American dollars... Few years ago they cost me 50 bucks new... I never dreamed that I will go back to headphones...


I will enjoy your miracles stories of any kind ….My best to all...
128x128mahgister
mahgister's avatar
mahgister OP
13,214 posts
 
Thanks derek, i will post a photo in few days of my grid of strings and of the new connected Bell of bells...

The three embeddings are key to audio experience, nevermind the price of an audio system....
In the three embeddings , on par with the "golden plates" powerful cleaning effect, the active resonant controls of the room acoustic is Heaven’s gates for peanuts....

Ears are the road to audio not money at all....
twoleftears's avatar
twoleftears
5,320 posts
 
Sounds like a Buddhist temple in the Himalayas.
mahgister's avatar
mahgister OP
13,214 posts
 
Welcome ....

:)
mahgister's avatar
mahgister OP
13,214 posts
 
GENERAL UPDATE:

Difficult to sleep...The audio system  is stupendous now...

I add a few lava strings, 3 more , lava beads strings+golden strings= 10 nowdangling from the ceiling...(affecting the imaging mainly and the soundstage)

I add many "Golden Plates", one on the router(a fourth one there) one on the electrical meter outside of the house, and a few more on the electrical central panels where i already had 7 of them... 

results :

Imaging improved another notch and clarity all across the frequencies...

I listened to Empire Brass, a brass ensemble that plays Gabrieli, a files i know by heart and very difficult to put on his best sounding level.... The differences were stunning...

My conclusion is always the same motto:

Dont uppgrade ANYTHING before embedding EVERYTHING....

Seriously i think i am at the end of the road with these electronic components(speakers,dac and amplifier) But i am careful because i was thinking that same thing about these components few months ago....And they improve with the increasing controls of the embeddings...

Another conclusion where i will repeat myself:

Most of us dont know what the system we own is able to give at all in S.Q. ... This is why upgrading one element is most of the time premature, and if not premature, a folly, if we dont know how much the other components can deliver in S.Q.  It is necessary to know the other components capability before changing one....

My best to all....
mahgister's avatar
mahgister OP
13,214 posts
 
UPDATE : Upgrading to 18 " Golden Strings" :)

I add an entire new row of 8 lava beads strings directly over my head at 2 feet from the first original row...

That was a very good idea.... The imaging is improved and now for the first time i listen to my brass ensemble for the first time, really, even if i had listen to it for the last 7 years....

How to hear the notes and the encompassing, interprenetrating radiant and agleam halos of the different brass instrument including tubas, trumpets and trombones, without loosing nor the notes neither the interprenetrating halos in a room where one of the speakers is almost on the wall and in a corner?

My soundstage is of the dimension of the room and equal out of each speakers, despite their dissymetric positioning.... :)

The speakers/ room equation, and the electrical embedding are keys....My music is no more handicapped by speakers location....

ACTIVE room controls is the way to speakers audio.... Passive treatment, except for an entirely engineered perfect room, will not do enough for compensating the room topology and the speakers locations....

I never even read information about active controls in audio thread, except active controls with electronic components...My active controls are resonators of different kind linked together with no electronic components except the Schumann generators grid...

My best....

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