@ianderson
I really have a problem with the a=432 transposition: it‘s not what the musicians heard when they played the music and as such has no business in a high fidelity setup. Either a marketing gimmick or engineers not understanding musicans.
I really have a problem with the a=432 transposition: it‘s not what the musicians heard when they played the music and as such has no business in a high fidelity setup. Either a marketing gimmick or engineers not understanding musicans.