JBL 43xx va Harbeth 40.x


I owned a pair of Harbeth 40.1, and recently listened to a pair of JBL 4343.  While I really like the Harbeth, I also like the JBL very much.  To the best of its own, the JBL sounds more dynamic, more lively, and bigger slam at the bass.  The Harbeth is one word - smooth.  
I think for vocal, Harbeth wins.  But JBL will be able to play all kinds of music, I feel.  What do people think comparing them?  Which one do you prefer and why?
gte357s
These two speakers are both very different, but both great in their own ways. It's wonderful if you can afford both and use them according to mood, but if not, you need to choose the one that meets your sonic priorities most closely.
never owned harbeth but i encourage you to go for the 4343.  i won 4344 and have installed new xover and bi-amped them.  the sound is huge, powerful, resolving and sweet with right equipment.  great stereo and great movie 2.1 system.  i love it and highly recommend.  15 inch woofers for life!
if you like 4343 you'll LOVE 4344 ;-) but you need to bi amp the 4344 to maximize performance. or depending on what you listen to, 4345 even, 18" woofer!
Ninety % of my listening is classical --big orchestra stuff: Mahler,Beethoven, Shostakovich, etc.,through Van Alstine tube preamp, the iconic all powerful Proton 1200 amp,And Magnepan MG12/QR speakers.Very dramatic through the Maggies,but massed violins always have a dry gritty edge. Have tried other amps and speakers-- have a Musical Fidelity M6sPRX amp on the way.But I keep hearing about Harbeth.Very expensive,many different models.Appreciate any feedback.Also thinking about the Magnepan 1.7i. Thanks.
6119:
Bypass 1.7i. Save for 3.7i. The true ribbon rules. But not clear why this is posted on thread comparing JBL and Harbeth??
When I was a young audio novice we talked about the West Coast sound (JBL, Altec) vs. the New England sound (AR, KLH).  This is the same conversation as that was. Basically, as I see it, it’s really about whether your listening keys in on the sound of live classical music, unamplified and heard at some distance, or if you are keying in on music created in studios with multiple close-mic tracks. The latter favors large cone area higher sensitivity speakers, the former favors smooth frequency response, freedom from peaks, and artful driver blending...all hallmarks of the New (and old) England school.