For anyone who moved from tubes to solid state — a question


I'm the happy owner of a fairly new tube preamp and monoblock amps. I love it and have bought new tubes. To have another option for warmer weather or possibly a second listening room, I got a very good solid state integrated. I've run the tube preamp with the solid state amp and it sounds quite nice. I love all tubes, too.

But this question is for you. Please forget the convenience factor for a moment, including the issue of tube replacement etc. Also, forget about those cases where you bought new speakers and needed more power, etc.

Assuming you had quality tube gear with sufficient power — here's the question if you abandoned tubes for SONIC reasons:

What what is that tubes couldn't give you?
What did your solid state gear do for you which was so much better that you divorced to marry anew?

I'm curious about what people list as the positive sonic reasons they love solid state (including A, AB, D, etc.).

Thanks.
128x128hilde45
We have these two recent statements:

best of breed tube and solid state are very close now, and ever converging

And the opposite claim:
Tubes and SS are a different paradigm. They approach producing music from different perspectives. My understanding is that tubes are a more visceral experience and SS more intellectual.

Thing is both of these can be true. Depends on the amps. People can jump and complain but the thing is some tube amps measure as good as SS amps and some SS amps measure as bad as tube amps. The traditional "tube sound"  smoothness is due to the harmonics they distort. It has a pleasant sound that most people enjoy especially with analog. That digital "glare" some complain about is because we're used to hearing the distortion of vinyl and tape played through tubes and think somehow that's the way music should sound. If someone thinks digital glares or is hard edged and difficult to listen to for long have a 3 piece jazz ensemble in your living room and listen to the sax or trumpet and tell me about glare or next time you're in a concert hall listen carefully to the violins and flute/piccolo section. So to cut to the chase to me music sounds more real, instruments naturally have ringing and glare and good neutral SS reproduces it better. 
What did I give up? Distortion. 
...and then there's the paradigms of amp choice and the speakers it drives....

There's been a lot of waxing wonderous of 'this' driving 'that'...and it generally is tied to the tube v. silica...which, is really actually rather special, imo..

The SET that can make this driver sing like a lark....but driven by SS type anything will make some prefer to have cellophane crushed around their head....

The SS that makes that driver sound like the sax solo is getting etched into the backside of your skull....but it feeeelss  sooo gooood.  Swap...

...and you'd rather have a root canal anywhere but your ears.

It's real subjective....and even then, subject to your listening den/torture chamber.....

The jury's still out on hybrids as far as I can tell....

The 'Everyamp for Everyone'?  Or the 'Nothing for Nobody'? *L*

A 3 position switch: T/SS/STS ?  Any love/hate/meh relationships out there?  Curious minds are nosy...*S*

What did I give up? Distortion.
Distortion is what causes solid state amps to be bright and harsh.
Distortion is what causes solid state amps to be bright and harsh.
Distortion is what causes solid state amps that measure as bad as tube amps to be bright and harsh. Take something like the Benchmark AHB2 noise and distortion is below audibly of humans. No tube amp can come close to it and very few SS amps.