Thank you all for your caring, thoughtful responses.I did an exercise today and wrote about it here in detail. I left the room for a moment and when I returned, Felicity,our dearly beloved cat was sitting on the laptop and all of my brilliant,insightful exposition was gone. I have a lot of respect for Felicity. Despite all warnings, she has never once shown any interest in the Magnepans and no matter how much Mahlerian angst is shaking the room, she lays down between the Maggies and goes to sleep. So here I go again. i have been listening to two CDs. The wonderful Samuel Barber Violin Concerto,Shaham,London Symphony,Previn,DG Digital,recorded 1993. Brahms Violin Concerto,Heifetz,Chicago Symphony,Reiner,recorded 1955,digital remaster,painstakingly adhhering to the original recording technique. This is what I heard.The violin solos were clear and "hash"free.The Barber solos were very up front, large and aggressive; the Brahms solos were further back. The string sections in both orchestras were equally "hashey","gritty".Interestingly,in both recordings,when the orchestras went very loud,the ''sandpapery hash" was much less evident,but as the volume began to recede,particularly in the Barber,the "hash" became more prominent.The softer the strings became, the more prominent the "hash". until It was louder than the melody and the "hash"was echoing in the right channel.It seems to me that this is an artifact of the complexity of the violin sound that Frogman and Millercarbon and others were referring to, a reverberation that probably dissipates quickly in the concert hall and goes unnoticed, but is locked [ trapped?] in the recording.So,I suppose, there is no panacea--a static reminder of the divide between life and synthesis like the dots [pixels ?] in photos that Frogman was referring to. What to do? For me it is ameliorate.
As has been suggested, components that are laid back,"forgiving."
Anathema to most audiophiles but very attractive to me. I'm suspicious of any component touted as "detailed."How much "detail"will I hear in the concert hall? How much do want to hear?
