Looking for tonearm inspiration
Dynavector DRT XV-1s rebuilt/are tipped. Odd as it may seem, there was no tonearm with the turntable. I have yet to identify what the phono stage, but listening so far suggest a Sutherland Loco (still open to alternatives). There must be many out there that have had experience with the SME 20/12 turntable and perhaps a few that have had experience with the SME/Dynavector combination. Can you suggest a tonearm that had some magic for you with either bit of gear? Wide range of music: Rock, Jazz, Female Vocal and a bit of Opera from time to time.
For home use the anti-skating must be set up equal to tracking force (less for advanced profiles). At least this is a basic recommendation, following this advice, if the tracking force is 2g then the anti-skating is about 2g too. If the tracking force is 1g then anti-skating is also about 1g. The higher the tracking force the higher the anti-skating? No? This is a dangerous and wrong assertion, Generally, antiskating required is a little less than the tracking force, but it is non linear and very seldom, if ever, 1:1. Antiskating is correct when the cantilever is parallel to the groove at the tangent when the record is playing. |
Anti skate should be in the vicinity of 10 % of the VTF. The most accurate way of measuring it is with a Wally Skater. https://www.wallyanalog.com/wallyskater The only problem with the Wally Skater is its price. A test record is much cheaper. I owned one of the first pair of Diva's produced. They were hands down Apogee's best speaker price considered. The Scintilla was a stop gap design with a ridiculously low impedance. The problem was you had to spend way more on amps to drive them than the speaker cost and regardless you were never going to get to Rock and Roll levels. I find it funny that a limited speaker such as the Scintilla could get the reputation it has. The Diva on the other hand was special. Flawed but special. After 6 years of playing with them I returned to ESLs where I will happily stay. In part it was the flawed nature of their speakers that was in part responsible for their demise. Magnepan was very smart not to release a driver that was so easily damaged. You can still pop a Maggie tweeter but not near as easily as an Apogee tweeter not to mention the other ribbons are just as easily damaged. |
