A Couple Little Things I'm Wondering About


Two quick questions for anyone with any experience with either topic.

1. Why do some folks with usually higher end systems use those cable lifters to keep the cable elevated? What are they intended to do? If you use them, what do they do for you please? And if you know do they make sense from a purely technical standpoint? 

2. I bought a bunch of those gold plated caps to cover all the unused RCA jacks on the back of my AVR. I believe they are intended to keep noise down. If you use these, please comment on them. Do you think they do what they're supposed to do, and/or do they make sense from a purely technical standpoint?

Thanks!
jcolespeedway
jcole, I have what you would call a reasonably high end system. I do not waste my money on any of that garbage. Cable elevators are just a cosmetic thing to show off your stupidly expensive cables. Any sonic improvement they make is purely psychological. As for shorting caps, I tried them once and did not note any improvement in the system's signal to noise ratio. I have never used them again. Careful ground management and balanced cables where ever you can are the way to go. 

The audio industry discovered a long time ago that there is a visual aspect to people's buying habits. If it looks cool it must sound better and psychologically it does....for a little while anyway. Look what they have done to turntables. My own philosophy is that if it looks cool don't buy it.
I would prefer to spend my money on good engineering and parts selection than shiney chrome parts. Compare an SME turntable to a VPI turntable. The SME is far superior but is mundane looking in comparison.   
Sorry, but speed of electricity in the wire is dielectric dependent and is far from the speed of light (around 0.6 of it).  In practical terms it is approx. 5ns/m in typical insulated wire and 3.33ns/m in the vacuum.
Since dielectric affects the speed of electricity it also affects capacitance, dielectric absorption etc.   As for audibility - I don't know, but don't know enough to call it ludicrous.  
Really ? If it was audible then the only way you wouldn’t have a weird staccato effect in your music is if the wire floated. Either have the cable float or lay on something having little holders every so many feet or inches would really mess up the music, you know if insulation touching something was audible.
Gimme That Old Time Religion, Gimme That old Time Religion...... (ad nauseam)      They’re still trying to evangelically compel those electrons ("charge carriers"), through a conductor (HALLELUJAH!).        Anyone interested in today’s science, can read the, ’Electric Drift’ section, of the aforementioned wiki-science article.               Particularly, the last sentence (since we’re talking AC).        Note that these things are measurable, established and documented.        When one of these faith-in-outdated-science, religious fanatics can prove (via any 20th Century Science/Physics) that the above factors have no bearing on what we’re hearing, I’ll accept their version of salvation.      Is there a purgatory, for repentant doubters, in the Naysayer Doctrine?
The drift velocity of electrons in copper wire is around 1 inch per minute!
Current occurs immediately almost at the speed of light.  Kijank is right that the dielectric affects the speed and field strength. But also important is the presence and distance to the return. If close the fields cancel out.