I have not heard Salks, though I look forward to doing so one day given the amount of love they receive in this forum
As for ATC’s - I still have 2 pair of their active models... they are spectacularly accurate monitors in the truest sense... what goes in comes out, pretty much exactly... no euphonic sweetning, no expansion of mid bass to warm things up... these are British speakers but imo they are the antithesis of the Harbeth/Spendor school where tonal loveliness and dimensionality and fullness is created by the lossy enclosure and driver design that warms things up ever so slightly (to wonderful effect)... the strength of Harbeths often mentioned is that they make poor recordings more listenable... ATC’s do NOT do that.
You need to match source and electronics carefully with ATC’s ... poor signal in can often lead to shrill or grainy output...
Have fun good luck
As for ATC’s - I still have 2 pair of their active models... they are spectacularly accurate monitors in the truest sense... what goes in comes out, pretty much exactly... no euphonic sweetning, no expansion of mid bass to warm things up... these are British speakers but imo they are the antithesis of the Harbeth/Spendor school where tonal loveliness and dimensionality and fullness is created by the lossy enclosure and driver design that warms things up ever so slightly (to wonderful effect)... the strength of Harbeths often mentioned is that they make poor recordings more listenable... ATC’s do NOT do that.
You need to match source and electronics carefully with ATC’s ... poor signal in can often lead to shrill or grainy output...
Have fun good luck