Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1
I only use a clamp when the LP is significantly less than flat.  That seems to help matters.  Otherwise, I find that no clamp does sound the most "open".  I chose the Record Doctor clamp because it is light and places no real downward force (via mass/weight and gravity) on the bearing system.  Clamp verses heavy weight makes the most sense to me.
@noromance


@bkeske What mat are you using now? What’s your platter made from?

The Sapphire's platter is 12 lb. cast alloy (of its overall 44 lb. weight). It is a large part of the overall SOTA design in becoming both a ’flywheel’ and also a major component of the suspended sub assembaly.

What mat? I was gifted one of @slaw ’s mats (MyMat) from Jim. A very nice gesture and gift. Right now, I have slaw’s MyMatt over a cork mat. I’ve been thinking, or believing, or perhaps totally misunderstanding, that my SOTA did not come with the SOTA mat, but instead, now have a feeling that the ’covering’ on the alloy platter actually *is* a/the SOTA built-in acrylic mat, and I probably don’t need the cork mat at all. Jim could probably confirm my misunderstanding here.

Thus, I am going to take the cork mat off, and simply put slaw’s MYMat over the ’built-in’ moulded integral ’mat’/integral platter covering. So, I have a feeling that cork mat may be deadening the sound as well.

More fooling around to come...