Vinyl collection, now what?

+1 what mikelavigne said

mikelavigne

... the wrong reason to get into vinyl is digitizing records. if your goal is to hear good music, sell the records and invest in digital streaming. digitizing records has a very steep learning curve and is a pain the ass to do. and the results are unlikely to be as good as good streaming unless you make a substantial gear investment ...

I absolutely agree. And if you don't follow a fastidious approach to digitizing an LP, there's no value in the result. Another issue is that with good playback gear, a properly maintained LP will last for generations.

... 5 years ago a case could be made for digitizing vinyl for music access. but that ship has sailed with high rez streaming. it’s so good that digitizing records is foolish.

Mostly. There's still value sometimes in making a pristine digital copy of some recordings, especially those that are OOP, or those with sonics that really trounce the digital version. Those files can then be put in playlists for convenience but - as Mike noted - it will take a lot of effort to get there.
mijostyn

... If you have an Apple computer get the Channel D Pure Vinyl program ... The program includes digital RIAA equalization ... If I played back a record and it's 24/192 copy you would not be able tell the difference ...

I'm not familiar with that software and process, but I do agree that a carefully made digitized file is audibly indistinguishable from the original LP.

@mijostyn - I appreciate your offer to help with digitizing!
Starting to understand the complexities involved so I will start with looking into a decent turntable.

Found a deal on a Clearaudio Concepts which I am considering.
Also thinking about the VPI Scout.
There are also a few older Rega RP models I saw for sale.

Really wish there was a way to listen to these decks!

@cleeds ,

'There's still value sometimes in making a pristine digital copy of some recordings, especially those that are OOP, or those with sonics that really trounce the digital version.'


Absolutely. 

A good case in point was the work of needledrop artists such as the notorious Dr Ebbetts. 

His digitising of the Beatles LP back catalogue played it's own part in getting Apple/EMI to issue their own official reissues.

For many years his bootleg needledrops were considered superior to the official 1987 CD releases. It appeared that digitising analogue LP was far less harmful than digitising analogue masters at source.

I never had issue with such practices, if one man on his own could supply a better sounding product than a multinational conglomerate...

A similar thing had happened back in the early 70s which prompted the release of the Red and Blue albums. But in that case the bootleg doing the rounds previously was of poor quality.

It's clear that the music industry has largely deaf ears as far as audiophiles are concerned but that was one example where they clearly heard the sound of money talking.

Hleeid, first let me apologize for the rest of them here. Vinyl lovers are by definition nice people but open minds are not a membership requirement. I am the world’s biggest vinyl lover, have been for decades. I am also in the process of (slowly) digitizing a massive record collection. Here I will try to answer your questions while trying to avoid criticizing or waging an analog versus digital war. First, USB is not a requirement for digitizing records but a turntable definitely is. They (USBs) can make the process simpler, more turnkey, but the ’job’ is getting signal from the record surface to the hard drive. Signal leaves the cart as an analog waveform, some equalization (RIAA) and gain (lots) are applied and off it goes to the rest of the sound system. Some of that analog signal can be sent to your computer and converted to bits and stored. The conversion from analog to digital usually happens as a function of the computers sound card. USB tables will do the A/D conversion before shipping the signal to the computer but the process is roughly the same. What I am getting at is that this can be as simple as you like or as complicated as a professional recording session. All up to you. I use pro software like Sound Forge but there are lots of apps available at any price from free to $$$$ that will handle the job for you. Some are quite automated. Try to get as good a table as you can justify, if you get something other than USB you are making a commitment to analog sound reproduction that you are probably unwilling to make. My guess is you plan is to play the LP once to digitize it and then never look at it again? This is where the quality of the playback comes in. A totally faithful recording of someone farting will still stink, meaning you can’t improve poor sound by recording it well. One other point to consider long and hard, all of this occurs in real time. The is no 52X for analog. You can’t automate the process with robots. You can’t go for groceries while it finishes. In short it’s a labor of love and if you don’t love vinyl and the magic that analog brings to audio don’t bother. Decide which LPs are of greatest interest to you and go find digital copies (CD or hi-def download). Less effort and probably superior sound to the majority of DIY conversions. Also don’t let the naysayers discourage you. My digital conversions are probably done at a higher sample rate than used for many of their vinyl reissues. If it sounds like I am encouraging you to digitize the records while also saying don’t, in a way I am. Decide for yourself if you want to make the effort. It’s fun and educational and the results can be surprisingly good but it is also a long slow process so be forewarned. Definitely do not be dissuaded just because somebody shouts ’digital sucks’ in all caps.

For the record :)

VPI Classic w/VTA tower (no! not a Classic II, a special order Classic from before the II actually existed) + Falcon PSU/RoadRunner

Soundsmith Zephyr Star

Moon 310LP/320S

Bel Canto Pre1

Lynx Audio E22 sound card

Sound Forge Pro

No dedicated CD player for music, ever!

Small beer compared to many of the rigs discussed on Audiogon but as a blue-collar system that started out with nothing it has done quite well for itself.