Devore Fidelity Orangutan O/96


My neighbor had to move some heavy furniture from one room to another so he asked me for help earlier today. Although, we've been neighbors for almost two years I had never been inside his house up until this afternoon. As I walked through the foyer and into his family room, I saw the speakers hooked up to some McIntosh separates. I have to admit that these were one of the most beautiful speakers I had ever seen. He offered to play some music and of course I was not going to say no. They sounded quite decent, although the sound was not as hefty or lush as I was expecting. Don't know if it was his equipment or room (wood floor, no rug, lots of windows), or maybe the Devore's are not quite going after those big, lush, and slightly warmer sound characteristics.

I'm actually saving up money to buy Harbeth SHL5+, or used 40.1, sometime next year. But boy did the Devore Orangutans caught my attention. And yes I know I shouldn't be basing my decision on looks alone, but if they're comparable to Harbeth in terms of sound quality, I'm definitely interested in exploring.

Just wondering if someone has had a chance to compare them directly to the Harbeth speakers I'm considering. Anyone moved from Harbeth to Devore O/6 or vice versa? This will be a system that I'll be building from scratch so I do have the luxury of building the system around my speakers -- total budget is around $15000. I usually buy used equipment whenever I can.

Please note that I'm not soliciting advice for other speakers at this time. Mostly interested in hearing about real world comparisons between the Devore Fidelity Orangutans and Harbeth SHL5+ or 40.1/2.
128x128arafiq
The one fly in the ointment with all these anecdotes is no-one is talking about the amplification and its a huge variable with both of these speakers.


One thing I've noticed at shows is when the room sounds good or bad, the speakers get the credit either way. But if it sounds good the electronics have to sound that good too and vice versa, not to mention that the room itself can have its own problems (standing waves, hard reflective surfaces). I think both speakers are excellent but like any other excellent speaker you can't leave the electronics or room out of the equation!
@arafiq  If you really want complications, throw a used pair of Vienna Acoustics Liszt into the equation.  After 40.2's and Spendor's Classic 100, they would be my #3 choice.
@atmasphere 

Agreed and I listened in what appeared to be an incredible listening environment with top notch components where many pairs have been sold. I really just think it comes down to listening preference,, personal taste, including your brain and your ears. I only imagined it sounding less optimal in my set up given just how good the demo room was. 
atmasphere,

Yes and no...IMO.

I find that speakers have a character that generally carries through associated equipment, at least so long as there isn't some ridiculous miss-matched pairing (e.g. a flea watt amp hooked up to MBLs trying to play loud).

I auditioned the Devore speakers in different rooms, on different types of amplification - 2 different tube amps, and two solid state.   They retained the general character I've described.

Likewise with Harbeth speakers.  I've heard them on all sorts of different associated equipment, in various rooms, and the types of features I've described and which tend to define their house sound remained.

As an amp manufacturer...I'm sure you have a different take :-)



Dr. Floyd Toole showed that the total room energy of the speaker says a lot about how it will be perceived in many rooms- this moreso than on axis and off-axis response (both of which also have to be smooth...). It would be interesting to see how these compare in that regard.