hmm...no replies yet so I guess not so much love vor Vfet amps here ???
perhaps, or perhaps the TA -F7 is so rare that no one heard it :)
I never heard the TA-F7 either but I own two TA-N7s and a bunch of other Vfet separates. The TA-N7 and TA-F7 are virtually the same amplifier where the TA-F7 is an integrated version of the TA-N7 (with minor differnces in the amp circuit as well). Sound wise thay are very similar, according to those that own both. Since my weakness is separates, I prolly would never own a TA-F7.
The N7/F7 are not pure VFET amps. They are mixed BJT/VFET output stage. That yields several important advantages, but also makes up a different signature and behaviour all together (it’s not a pure VFET amp).But Sony’s cascode BJT/VFET design remains a engineering and sonic marvel that must be heard to be believed.
To summarize the sound signature: very detailed all around, very tight bass. An acurate amplifier which demands a good source to leverage its full potential.
The down side of these rare beasts are weak anciliary components that Sony, Yamaha and others used. When these vfet amplifiers fail, they fail because of deferred maintenance and allmost allways because of anciliary componenet reaching the end of their usefull life. The first gen Sony integrates such as TA-4650/5650 also fail because some crappy "death diodes" which are actually veractors and not diodes.
All in all, if you find a decent unit and someone to restore it for you, it is worth gold in terms of sound and totally worth adding to your collection. There are very few ppl in the world that work on these things. If you end up getting a unit...and based on your geographic location, I can point you in the right direction.
One side of caution is that no Vfet ampifier like hungry speakers. anything below 4 ohms is a Big NONO!
perhaps, or perhaps the TA -F7 is so rare that no one heard it :)
I never heard the TA-F7 either but I own two TA-N7s and a bunch of other Vfet separates. The TA-N7 and TA-F7 are virtually the same amplifier where the TA-F7 is an integrated version of the TA-N7 (with minor differnces in the amp circuit as well). Sound wise thay are very similar, according to those that own both. Since my weakness is separates, I prolly would never own a TA-F7.
The N7/F7 are not pure VFET amps. They are mixed BJT/VFET output stage. That yields several important advantages, but also makes up a different signature and behaviour all together (it’s not a pure VFET amp).But Sony’s cascode BJT/VFET design remains a engineering and sonic marvel that must be heard to be believed.
To summarize the sound signature: very detailed all around, very tight bass. An acurate amplifier which demands a good source to leverage its full potential.
The down side of these rare beasts are weak anciliary components that Sony, Yamaha and others used. When these vfet amplifiers fail, they fail because of deferred maintenance and allmost allways because of anciliary componenet reaching the end of their usefull life. The first gen Sony integrates such as TA-4650/5650 also fail because some crappy "death diodes" which are actually veractors and not diodes.
All in all, if you find a decent unit and someone to restore it for you, it is worth gold in terms of sound and totally worth adding to your collection. There are very few ppl in the world that work on these things. If you end up getting a unit...and based on your geographic location, I can point you in the right direction.
One side of caution is that no Vfet ampifier like hungry speakers. anything below 4 ohms is a Big NONO!