The best sounding SETs are the ones with the least amount of power. This is due entirely to the output transformer- the differences people talk about between the various tubes has more to do with the output transformer than the tubes themselves. Once you get over about 7-8 watts of power it gets extremely difficult to build an output transformer that has full frequency bandwidth- and as a result many have compromised bass response on that account.
So back in 1990 there was a mystique around the 300b; by 2000 the 2A3 had ascended the throne and these days its the type 45.
If you really want to hear what any SET does, that will best be done with a set of loudspeakers that are efficient enough that the amplifier is never asked to make more than about 20-25% of full power. This is to prevent distortion, in particular the higher ordered harmonics, from showing up on the transients present in all music. The ear uses the higher ordered harmonics to sense sound pressure, so when they show up on transients it tends to make the system sound 'dynamic' but its really distortion masquerading as dynamics.
So back in 1990 there was a mystique around the 300b; by 2000 the 2A3 had ascended the throne and these days its the type 45.
If you really want to hear what any SET does, that will best be done with a set of loudspeakers that are efficient enough that the amplifier is never asked to make more than about 20-25% of full power. This is to prevent distortion, in particular the higher ordered harmonics, from showing up on the transients present in all music. The ear uses the higher ordered harmonics to sense sound pressure, so when they show up on transients it tends to make the system sound 'dynamic' but its really distortion masquerading as dynamics.