I've seen "mixing" controls where the knob starts at 6:00 and rotates clockwise. As it does, it slowly collapses the stereo soundstage until, at 12:00, it is mono. Keep rotating clockwise and it ultimately reverses channel content when it reaches 6:00 again. Pretty cool but, obviously, not "pure high end" enough for our crowd.
Does anyone mix to mono just to hear instruments in the center?
I'm curious if anyone ever switches their output to mono just to hear instruments in the center of the soundstage. I'm thinking of Coltrane in particular. Most of his recordings have him mic'd on the left or right and I just want to hear the horn and all the transients coming from the center. Does anyone find this compresses the soundstage a bit and reduces the separation between instruments?
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- 5 posts total
- 5 posts total