This is priceless. Don Byas live in Stockholm 1962.
"I Remember Clifford"
https://www.youtube.com/watch?v=T1LHw551HDA
"I Remember Clifford"
https://www.youtube.com/watch?v=T1LHw551HDA
Jazz for aficionados
This is priceless. Don Byas live in Stockholm 1962. "I Remember Clifford" https://www.youtube.com/watch?v=T1LHw551HDA |
pjw, fabulous Byas clip. Thanks. Look closely at the horn he’s playing. That is the very horn that James Carter played and talks about on the interview clip. Tell tale signs (video is not great): “DONBYAS” engraved on the inside lip of the bell. Look at the unusual raised “rocker”. That is the piece on the top of the neck (where the mouthpiece goes). Yup, that’s the one. Cool! Re your question: Each horn has a certain sound/personality that affects the final tone produced by a player to varying degrees. However, a player’s tone is mostly about the way the player plays the horn; how he voices the sound of each note for the desired sound. The mouthpiece and reed also play a role. A special horn will make it easier for a player to produce the sound he hears in his head. |
Thanks frogman for your response. As old and sub par as the Don Byas video is I can still clearly see his name engraved on the top inside of the bell at exactly the 5:10 mark of the video. I also see the raised "rocker" On the newer James Carter video I see the raised "rocker" but I could barely make out the engraved Don Byas. It comes through as a "darkened area" on the top inside of the bell. Unbelievable how I can see every letter of the engraving on the 58 year old video and just a hint of it on the 4 year old video. The interviewer made the cameraman move back when Carter started playing. They should have shot a close up of the bell. The focal point of the video was the story of how Carter came across that saxophone so the interviewer/cameraman dropped the ball on that one. |
@isochronism Your mention of Emily Remler has me a little choked up. I was a big fan of Larry Coryell, especially live. I hadn't heard of Remler until I saw them playing a lengthy set together about 12 feet in front of me in the late 80's (Coryell often had unannounced players join him, as it should be). Emily had an obvious feel (and reverence) for the music, especially for someone so young - with the talent to express it. And then she was gone at only 32. |
keegiam, I too was a big Coryell fan; one of greatest guitar heroes and one with a very wide stylistic range. My first exposure to Coryell was with his band “Eleventh House“ during my college Fusion days. I didn’t follow his career much in more recent years for no particular reason. A few years ago when we got a place in upstate NY I would occasionally come across notices for local performances featuring a Murali Coryell. I always wondered if there was any relation and went to check out this local guitar player/singer at a local club and found out that he was one of two guitar playing sons of the great Larry Coryell. This caused me to revisit some of those old Coryell records and to check out his newer stuff. Incredibly talented and versatile musical family; especially, of course, father Coryell. One or my first Fusion records: https://youtu.be/KmCsvQdKxNM https://youtu.be/VxP-pw7H8qU https://youtu.be/4Oeo94NZOf4 With another favorite guitar player: https://youtu.be/73ERRvWW7hY The Coryells: https://youtu.be/ZaXAEBVEFOk |