Optimum solution is to roll the very bottom out of the main amplifiers and feed a low level signal to the sub. This is effectively an increase in main amplifier power if you listen to material with real low end, i.e. deeper than most 40Hz limited material. Sub must either be very efficient or have lots of power for a realistic bottom octave.
The sub must have continuous phase, multiple crossover slopes and polarity inversion along with the normal XO frequency and level controls.
Martin Logan X and some JL Audio series have all of the above. Without these controls, the optimum position maybe in the middle of the room.
REW and a microphone can ease the integration task, but the learning curve is steep.
see http://www.ielogical.com/Audio/SubTerrBlues.php for perils and solutions for sub integration.
Two subs are optimum for stereo. A swarm gives even level at the expense of coherent phase.
Discount most advice on audio forums as FanBoy prattle. As composer once opined of my system "Every OTHER subwoofer I've ever heard just boomed!"
The sub must have continuous phase, multiple crossover slopes and polarity inversion along with the normal XO frequency and level controls.
Martin Logan X and some JL Audio series have all of the above. Without these controls, the optimum position maybe in the middle of the room.
REW and a microphone can ease the integration task, but the learning curve is steep.
see http://www.ielogical.com/Audio/SubTerrBlues.php for perils and solutions for sub integration.
Two subs are optimum for stereo. A swarm gives even level at the expense of coherent phase.
Discount most advice on audio forums as FanBoy prattle. As composer once opined of my system "Every OTHER subwoofer I've ever heard just boomed!"