What are Your Favorite and Most hated Record Manufacturers


I have had great luck with Analog Productions and Friday Music.
I will not buy another Rycodisc pressing.
At the end of this thread I will make a list of the most loved and hated record companies. Hopefully this will make life easier for us vinyl lovers and we can send a message to the bad companies by not purchasing their products and just maybe they will increase their quality. 

Mike
mijostyn
When you say manufacturer it can be confusing.  Most record labels do not press their own vinyl.  Analogue Productions controls their pressings through QRP, as they are under the same ownership.  This is important because most record labels cannot control the production side of their products, and have to outsource to various pressing plants.  With the rise in popularity of vinyl, production schedules are full.  This means that those labels who do not control their pressing operations might have to use which ever pressing plant(s) are available to them.  
Vinyl Me Please is one to add to the list of good ones.  I think most of their releases are pressed at QRP.  I have not had a bad record from them.
I've heard that MoFi presses most of their stuff at RTI.  I've never had a bad pressing from MoFi. 
Rhino usually presses at RTI.  It's obvious because of the RTI stickers they put on the covers of the LPs.  
New West Records are mostly crap.  I do not know where they get their records pressed but it's obvious that they don't really care about QC.
Deutsch Grammaphone is surprisingly bad.  I have so many of their releases that skip like crazy.  It's probably because they have to squezze too much music onto a side as they primarily do classical.  Either way it's pretty bad.  
Parlaphone is a very good label.  I think they get theirs mostly pressed at Pallas in Germany.  Their quality overall is very good IME.
I really wish there were standards for record releases, which would require that all records be labeled with important info such as, the recording source (analog, digital, or combination), where the vinyl was pressed, vinyl weight, etc.  It would hold the companies involved accountable for their work.  I get a lot of new records that are noisy, warped, have uncentered holes, etc.  If I knew which pressing plants these were being pressed at I would be able to avoid purchasing their inferior goods.  The best labels do provide details on these things.  

Mike, 


What a great thread!   Thanks for starting it.  I hope you will assemble a summary list.  I don’t know much but hope you all don’t mind if I add some thoughts.  If anyone would like to steer me straight on any of this please post.  I really want to know more on the subject.  

Anyway, seems like there are two questions here: first, favorite and disliked for whatever musical or record-related reason, and; second, which labels are, quality wise, reliable and which are not: and, which are just bound to be bad.  The first involves taste along with quality.  The second not so much.

Here is most of what I know from my own records:


ECM 

My favorite label.  I love this music and I can (nearly always) count on record quality. I have hundreds and I can only think of one that disappointed- it’s just ok. Was supposed to be special on 180 gm but doesn’t sound very good.  


Ume

Resonance Records

Sintra 

Jazz on the above labels is fantastic. 


For classical I have found that the following deliver consistently good experience:

Berliner Philharmoniker (The Orchestra’s own label)

Accentus Music

hyperion 

Lyrita 

Old RCA Victor (Red Labels/Seal)

Old London Records

The Classics Record Library

Sony Classical

Again, YMMV. I don’t know a lot about classical record labels but really want to learn more.  


Then, I have fancy “Audiophile” type records from the following and can’t say anything but good about all of them.   

Impex 

Analogue Productions 

Acoustic Sounds

Tone Poet

MA Recordings

Intervention

ORG (Original Recordings Group)

ORG (the other ORG)

Chesky Records

The MA and Chesky that I have are truly spectacular.  Some of the other fancy expensive labels that are supposed to be special have been hit and miss for me.  The handful of Mofi’s that I have are mostly great.  


Of the relatively larger operation labels, I  feel like I can count of these:

Reprise

Sony Legacy

Chrysallis

Friday Music

Rhino Records

Chrysallis is a favorite I guess because of their catalogue and I generally really like the way they sound.  


Here are a few of my favorite smaller, or what’s called independent, and other labels (some have already been mentioned of course).  

Nettwerk

Sugar Hill Records

Yep Rock Records

Rounder Records

Sub-Pop

Nonesuch 

Blue Corn

Horton Records

37d03d

Craft Recordings

Dualtone 

Glassnote 

Western Vinyl

Vinyl Me Please

Concord 

Dead Oceans

Lifesong 

Kirshner (probably defunct?)

New West is also a favorite of mine.  I have a large handful of newer stuff from them and it’s all very good or great. Maybe they used to have problems but this has not been my experience.  


I get terrific reissues from:

Run Out Groove

Back on Black


My categorical dislikes are few:

Geffin Records has been mostly disappointing, particularly because he had a couple of my favorite artists under contract.  No more fortunately.  

Jazz Wax Records and their ilk.  Shady operators based in Europe take CD’s of music in the open domain and get records pressed in Russia or in other dark recesses of Eastern Europe.  They always sound horrible.  I learned the hard way but apparently the word has been out.


And, of the love hate variety:

Along with Music on Vinyl and Mofi,

I have learned that many records put out by Four Men With Beards (and the other subsidiaries of Runt records in San Francisco) are of atrocious quality but one that I have is great so do the research before purchase.  

I have found the same to be true of Atco. 

I mention these last two because they do have some temptingly great titles.  I just need to remember to watch out.  

Finally, regarding manufacturing, I have learned to avoid anything pressed at United in Texas.  


Thanks again for the thread and all the contribution to it.  

Having now finally received some Analog Productions LP’s, I too can confidently recommend them.

On it’s way is a Speakers Corner LP (Raphael Puyana’s The Golden Age Of Harpsichord Music, an original on Mercury Living Presence of which I already own), a label highly recommended by The 45 RPM Audiophile (Michael of The Vinyl Community on YouTube, a charming collector in Germany. Check out his videos.). Mastered by Kevin Gray, pressed at Pallas.

Elusive Disc is currently having a sale on LP’s: 10/20/30/40% off, and they’re good titles. Stuff like a couple of Sam Phillips (formerly a Contemporary Christian artist, then T Bone Burnett’s wife and collaborator, now on her own) titles finally available on LP, Marshall Crenshaw on MoFi, The Kinks’ expanded Muswell Hillbillies album on Sanctuary to name just a few. Free shipping on $99 orders. Hope they pack well!

I have a lot of Classic Records LP’s, a very important reissue label started in the 90’s. While MoFi at that time was reissuing some titles of debatable value (Supertramp?!), and applying questionable equalization (their Beatles LP’s are not good---I sold all mine right before the EMI boxset was released, which more than paid for the box), Classic released great titles in excellent sound.

I was a customer of one of the two founders/owners of Classic---not Michael Hobson, but rather his partner Ying Tan---who sold collectible LP’s out of his stuffed apartment (you shoulda seen the place!) just off Sunset Blvd., one block East of Laurel Canyon. I never heard why he left Classic, after which Hobson ran the label himself. Ying, where are ya?!

Oops, the Kinks’ expanded Muswell Hillbillies is coming from Amazon. Coming from Elusive Disc is the 3-LP/5-CD/3-7" expanded boxset of The Kinks’ fantastic album The Village Green Preservation Society, the original of which Pete Townshend said is better than Tommy and Sgt. Pepper. I heartily concur (though the cited competition is not imo very stiff ;-) ! On sale at ED for $109.99 with free shipping.
Thanx bdp24, spiritofradio and snackeyp. Great contributions. As for packaging. I have never had a problem with Elusive disc. Not a bent cover or a service issue. I have less experience with Music Direct. Acoustic Sounds is b generally OK. From Amazon you can count on a bent cover. They just throw the record in a box with a few balloons. So, the record slides around in there banging itself up. 
I have to add Bandcamp to the very high quality side. Not had a bad one from them yet.  https://bandcamp.com/
I also forgot Decca (London) great records. 
I have to also say that Deutche Grammophon can be hit or miss. I have not bought a new one in years.
What can you say about the Kinks. Ray Davies is one of a kind. I believe he was even knighted. 
As for criteria for the final list I think if a label is mentioned three time in either column and not in the other it will be included in that column. If it is mentioned in both it will be included in a third non committal column. So there will be three columns. Great, Bad and Hit or Miss. If you disagree with this method please speak up now:)