Excellent recording of Mozart Jupiter No.41 ?

Kmplerer/Philharmonia takes the Sym almost exactly as the Walter/Columbia, just a tad more guto in the tempo, maybe a finer orchestra as well. But like I say very very close performances. So I'd go Kmplerer. The Mackeras/Prague is excellent as well, but the room acoustics=recording is bad, not warm like the Kemplerer/Walter.

Kmplerer/Philharmonia takes the Sym almost exactly as the Walter/Columbia, just a tad more GUSTO in the tempo, maybe a finer orchestra as well. But like I say very very close performances. So I'd go Kmplerer. The Mackeras/Prague is excellent as well, but the room acoustics=recording is bad, not warm like the Kemplerer/Walter.

I think we must draw out Buxter and perhaps Tweeker a bit more here. In general my favorite 41 is not with the older full orchestra versions: Walter, Bohm, Klemper, Karajan etc. I prefer the new smaller group recordings such as Saraste/Virgin, Glover/ASV, Menuhin/Virgin etc which almost always allow more clarity and intimacy to emerge, and also are energetic and agile in the outer movements.

The full orchestra effect is good with Beethoven and later romantic composers which utilize it's massive scale and sweeping melodies better. I usually find Haydn and Mozart more clearly expressed with small group recordings.

I find the Bernstein/DG makes best case for full orchestra 41 with very passionate/eneregetic outer movements, but I still prefer the transparency offered by smaller group recording.

megasam, have you heard the walter VPO Moz 41 on 78? this is where I find the magic. And I mean 78 on a Victrola. They play with such verve and elegance. To my ears it sounds like a brilliant chamber music collaboration, full of life and there is a rightness to the string sound. Right, as in not "correct" or pedantic, but full of color and nuance, expressive of the music. To me it is miraculous orchestral playing. The music pours out directly, and spontaneously, as if out of a waterfall (yes,I know... flowery language but that's how I perceive it) And in the last movement, I don't know how they manage to balance primal, savage energy, while maintaining a coherent elegant presentation. And that is always what amazes me even today when I hear the VPO. And you can always hear all the voices clearly without it ever being highlighted with a magic marker.

Good heavens Buxter you are digging very deep into the archives, not only do I own no 78rpm but also no mono recordings, all my refernces are from stereo CD. I had the stereo Walter/CSO set which featured sym 35-41, this may no longer be available and I see Sony now offers the older mono Walter/NYPO from early 1950's which I have read are more energetic performances vs later stereo versions.

Perhaps Sony decided the older mono versions are superior performances to stereo versions which I always felt were too relaxed and refined with slow timings.

Buxter I have to know how many CD/records do you own?