FR64S tonearm overhaul


I just bought a nice Fidelity Research FR64S tonearm off Ebay to have a second vintage arm for my SPUs and maybe a few FR cartridges in the future. The arm is in great condition but still has the original copper wiring.

I am looking to refurbish the arm myself and was thinking about rewiring it with Ikeda silver and a new Cardas DIN plug. Does anyone have experience with the sonics of silver vs. copper wiring in the FR arms? What other things should be replaced and where can I source the parts?
latinsamba1
@chakster
Thanks Chak as always, will try both

I am missing the adapter for on the fly but it will do for now
luisma, True balanced phono stages, other than the MP1, are not that uncommon these days.  Oddly and sadly, more so among solid state devices than among tube types.  I guess I wrote up the balanced idea mostly because some dealers propagate the notion that you need some major rebuild to "convert" from single-ended to balanced operation of a phono cartridge.  This is not true; the standard DIN connection can be done either way, depending upon the topology of the cable between the tonearm and the phono stage.
Have a question in regards to capacitance, apparently silver provides way better low capacitance than copper, however the capacitance parameters just seems to affect MM not MC. Is it really that critical lowering down capacitance let's say 1 meter copper 180 pF vs 1 meter silver 84 pF?
Dear @luisma31 : Always is healthy to have the lower capacitance in that kind of operationsl cable and in the other side silver is better signal conductor than cooper and you want that the cartridge signal goes out of your speakers with the higher quality you can achieve through your room/system..
R.