FR64S tonearm overhaul

@chakster
Thanks Chak as always, will try both

I am missing the adapter for on the fly but it will do for now

luisma, True balanced phono stages, other than the MP1, are not that uncommon these days.  Oddly and sadly, more so among solid state devices than among tube types.  I guess I wrote up the balanced idea mostly because some dealers propagate the notion that you need some major rebuild to "convert" from single-ended to balanced operation of a phono cartridge.  This is not true; the standard DIN connection can be done either way, depending upon the topology of the cable between the tonearm and the phono stage.

Have a question in regards to capacitance, apparently silver provides way better low capacitance than copper, however the capacitance parameters just seems to affect MM not MC. Is it really that critical lowering down capacitance let's say 1 meter copper 180 pF vs 1 meter silver 84 pF?

Dear @luisma31 : Always is healthy to have the lower capacitance in that kind of operationsl cable and in the other side silver is better signal conductor than cooper and you want that the cartridge signal goes out of your speakers with the higher quality you can achieve through your room/system..
R.

Not every wire in audio is silver, there are so many people who like copper more than silver. It's a personal preferences. 

Luis, I'd like to recommend you to replace arm lift on FR-64s, got mine from Italy, made especially for FR-64s, this arm lift replica is stainless steel and it's much better than the original (unless your original is like new). My original arm lift wasn't good, new one is superb! I'm happy.