The fake air of a NOS DAC running at CD sampling ratesCurious - what makes it 'fake' ?
Looking for a vinylesk sounding DAC
I cannot say I wasn’t satisfied with my system.
Laptop (Quobuz Studio) - > Schiit Bifrost 2 - > Ocellia Reference RCA - > Werner Acoustics, Selene (active tube preamp using two VT-231 from RCA) - > passive preamp - > Ocellia Reference RCA - > First Watt F6 dual mono custom built - > HEDD Audio’s "Heddphone" / Hifiman HE 4
From the beginning I started to built it I had a quite concrete idea of what it should sound like in the end: vinylesk without using vinyl. It took me a while to get there and now I really thought I got it: Due to the F6 the outcome is brutally powerful and incredibly fast while the tube stage adds lots of body, depth and a rich organic undertone. Finally the RCA’s from Ocellia were adding the fine raffinement and a nice holographic soundstage. Nothing smears, in just every situation everything stays transparent, well controlled/articulated and the separation is just excellent.
BUT when listening to streamed vinyl I still feel the need for action - I just want EVERY track from quobuz to sound like this. Please take just some seconds and listen to this:
https://musicandvinyl.blogspot.com/2020/08/haruomi-hosono-from-aegean-sea.html?m=1
There is just MORE elasticity, MORE tonal density, MORE plankton, MORE concentration to the point, MORE light-footedness and MORE palpability (compared to a "disdainful" quobuz stream). Do you know what I mean?
I still think and hope a new dac could be the nirvana-solution. But which one would manage the job to sound just like vinyl (99% would be ok...)?
Happy to hear your suggestions!
Laptop (Quobuz Studio) - > Schiit Bifrost 2 - > Ocellia Reference RCA - > Werner Acoustics, Selene (active tube preamp using two VT-231 from RCA) - > passive preamp - > Ocellia Reference RCA - > First Watt F6 dual mono custom built - > HEDD Audio’s "Heddphone" / Hifiman HE 4
From the beginning I started to built it I had a quite concrete idea of what it should sound like in the end: vinylesk without using vinyl. It took me a while to get there and now I really thought I got it: Due to the F6 the outcome is brutally powerful and incredibly fast while the tube stage adds lots of body, depth and a rich organic undertone. Finally the RCA’s from Ocellia were adding the fine raffinement and a nice holographic soundstage. Nothing smears, in just every situation everything stays transparent, well controlled/articulated and the separation is just excellent.
BUT when listening to streamed vinyl I still feel the need for action - I just want EVERY track from quobuz to sound like this. Please take just some seconds and listen to this:
https://musicandvinyl.blogspot.com/2020/08/haruomi-hosono-from-aegean-sea.html?m=1
There is just MORE elasticity, MORE tonal density, MORE plankton, MORE concentration to the point, MORE light-footedness and MORE palpability (compared to a "disdainful" quobuz stream). Do you know what I mean?
I still think and hope a new dac could be the nirvana-solution. But which one would manage the job to sound just like vinyl (99% would be ok...)?
Happy to hear your suggestions!
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- 70 posts total
- 70 posts total