Looking for a vinylesk sounding DAC


I cannot say I wasn’t satisfied with my system.

Laptop (Quobuz Studio) - > Schiit Bifrost 2 - > Ocellia Reference RCA - > Werner Acoustics, Selene (active tube preamp using two VT-231 from RCA) - > passive preamp - > Ocellia Reference RCA - > First Watt F6 dual mono custom built - > HEDD Audio’s "Heddphone" / Hifiman HE 4

From the beginning I started to built it I had a quite concrete idea of what it should sound like in the end: vinylesk without using vinyl. It took me a while to get there and now I really thought I got it: Due to the F6 the outcome is brutally powerful and incredibly fast while the tube stage adds lots of body, depth and a rich organic undertone. Finally the RCA’s from Ocellia were adding the fine raffinement and a nice holographic soundstage. Nothing smears, in just every situation everything stays transparent, well controlled/articulated and the separation is just excellent.

BUT when listening to streamed vinyl I still feel the need for action - I just want EVERY track from quobuz to sound like this. Please take just some seconds and listen to this:

https://musicandvinyl.blogspot.com/2020/08/haruomi-hosono-from-aegean-sea.html?m=1

There is just MORE elasticity, MORE tonal density, MORE plankton, MORE concentration to the point, MORE light-footedness and MORE palpability (compared to a "disdainful" quobuz stream). Do you know what I mean?

I still think and hope a new dac could be the nirvana-solution. But which one would manage the job to sound just like vinyl (99% would be ok...)?

Happy to hear your suggestions!
barrista0611
@jjss49 Just out of curiosity - which dac did you finally choose based on your corona-phase-shootout?

@snackeyp I was reading your review of the Holo May. Excellent write-up, absolutely enjoyed it. As the May is not my budget - are you able to compare to the Spring 2?

Anyone using the Spring 1, L2? 
Simple!  Get an old DBX unit and set it to decrease dynamic range, as if recording a cassette.  This will work, well, except for missing the tics and pops.
What's the deal with this live microphone feed, doesn't it still come through speakers or headphones and amplifiers. I think all audio equipment colors the sound.
Not since the early 90s have I declared that vinyl was superior to digital. However, to be so cost more.  Digital has come along way since then, and as it improved, the cost differential between vinyl and digital has increased.  Having tubes in the system does compliment. My Audio Mirror Tubadour III DAC opened up the soundstage, improved imaging, added air, and increased resolution in my system.  As did my Aric Audio Special all tube preamp.  
Agree that a tube DAC is first step. Second step would be to roll tubes to your taste. Third step would be cables. 
I used that approach and I’m happy with my combination & results. Aethestix Romulus eclipse, telefunken and mullard tubes and transparent cables.  Good luck