Steve at VAS has done an awesome job for me repairing a half dozen high-end carts and counting. everything from a re-tip to cantilever/styli replacement, re-tensioning suspensions and fixing dead shorts.
Wow, that’s amazing, you don’t want to deal with original cartridge manufacturers/designers for a proper rebuild, you have someome else, right?
I assume you like new cartridges but you don’t want to buy a new cartridges from the dealers even if nearly all manufacturers simply change worn cartridge for a brand new one via their dealer (instead of re-tip/rebuild) for a special price. Because you have someone else who can fix broken cartridges cheaper with different materials it’s OK for you.
One question:
why all your cartridges required re-tip, cantilever/stylus replacement, re-tensionin? Are we talking about quality high-end cartridges here or something else? Do you use them so hard? @saburo
this thread has been very helpful. how close to "new" or "original" can a rebuild get? have some of you found your carts to sound better than original versions? thank you.
@c_cocobean Do you know any cartridge designer who will post on audiogon? Below is audiogon post from Jonathan Carr who is internationally renowned cartridge designer (maybe you know Lyra cartridges?). In my opinion his thoughts about cartridge re-tipping process is much more valuable than all the post in this thread. Do yourself a favor (read his post on audiogon from 2013 below):
*** "Changing only the stylus will alter the sound less than if the cantilever material is changed. When a cartridge is designed, the designer will consider the moving mass (sum of the stylus, cantilever and coils), the resonant character of the cantilever, and the (sonic) propagation velocity of the cantilever (affected by the cantilever’s mass and rigidity), then choose the suspension and dampers accordingly. If you change the cantilever material, you are effectively throwing the original designer’s calculations away. There is much more (far more than what I have written above) to rebuilding a cartridge than affixing a new stylus or altering the cantilever. In over 30 years of involvement in the phono cartridge industry, I have not seen one retipper who has presented the entire story, who has effectively said "Here are the all of the considerations. Here are the cons as well as the pros. Make a wise choice that is best for you" ... " (J.Carr, 2013) ***