Trans-Fi Terminator Tonearm: 2019 Update


In reading a few related posts on linear tracking tonearm, in general,  and Trans-Fi Terminator , in particular, I thought I would give a brief update of the Terminator.

I purchased the arm directly from Andrey in Moscow two months ago. From what I understand, Andrey has taken over production after Vic's retirement. What I received is the most up-to-date version of the arm with the carbon fibre wand and brass counterweights, the direct wire leads from cartridge to  phono amp, and a new brass manifold ( not evident from the main web-site). Both the wand and the new manifold are Andrey's contribution to the continued refinement of the Terminator.

Also,  please visit this site: https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/. This gentlemen from NZ has developed a new arm mount for the Terminator which advanced the arm's sonics even further. It was reading through the the development of this new arm mount that convinced me to order the Terminator after much prior research. I did not purchase the arm mount from NZ as it would not readily fit my Verdier La Platine, instead Andrey made a custom arm mount. It is in essence a two point support mount rather than a single point support rod that is commonly used. 

My previous arm was a SME V of 1990's vintage mounted with a ZYX airy. The Terminator is several notch above the SME V. All the accolades given to the Terminator seem justified. My main point in writing is that the new developments by Andrey, i.e. the carbon fibre wand and the newest brass manifold, seem to improve upon the Terminator even more ( see link above ). This is the news that I wanted to share with existing Terminator owners. I asked Andrey to start a blog on all the new stuff that is happening with the arm, but it seems that he is busy making 'things'!




ledoux1238
No, you're unfortunately right. It's my biggest bugbear with the arm. I pretty much check VTF on a daily basis, normally have to adjust at least every other day.
I'm about to install super-fine Zavfino Litz-76 tomearm wire which should minimise this tendency. But I've yet to find a foolproof way to dress the cable to fully prevent VTF going out of whack regularly.
Ok, Spirit, thanks!

But how do you calibrate? Do you take measurements at outside, middle, and inside platter positions every other day? Do you err on adjusting to a higher VTF ? 

Goes without saying, but ‘tis a design flaw. 
I Iearn not to be too fussy. Middle of the lp does for me. On average, I need to adjust 2x per week, occasionally 3x.
Just something I've got used to. But fully concur for some/many this would be a deal breaker.

I'm optimistic that the super-fine Zavfino tonearm wire I'm soon getting installed will minimise wire drag to such an extent that this issue gets minimised or even eliminated.
Please post results once Zavfino wires are in place. I would be extremely curious!

I am also having a silver tonearm wire custom made. The wire I ordered is from Aural Harmony. Twisted configuration is how it will be implemented  and paired with a battery charged current mode phono preamp. However, the new wires, once completed, may still cause problems. :(

The effect of wire drag on VTF is quite a revelation for me. On the one hand, the arm is tracking with  constantly varying VTFs'. On the face of it this should be a disaster. The effect of the stylus on the record must not be good. On the other hand, the listening experience is anything but unpleasant. I guess I am saying I do no hear variable VTF at play, or I do not know how to. This is not to excuse the design flaw. However, a simple solution to mitigate the drag effect has to exist......