ralph is correct to point out to us not to confuse the two technologies, despite the similar naming
berning zotl is fundamentally a different design than ’standard’ otl amps
zotl’s use a ’normal complement of tubes’ - i.e. 4 pcs el34’s 2 per channel like many tube amps - and use a carrier frequency (like radio broadcasting) thru the output tubes bearing the music signal, and then ’strips away’ the carrier frequency before outputting to the speaker load (and in doing so, allows for elimination of standard heavy metal output transformers to perform the impedance matching from output tubes to speakers)... good write up here --->
https://www.lineartubeaudio.com/the-technology
regular otl’s manage the impedance matching by using many paralleled sets of identical output tubes (i recall my fourier amp had 16 pcs 6as7 output tubes to handle the impedance matching --->
http://www.one-electron.com/Projects/Fourier/FC_Tr_ad_1.jpg and
http://www.one-electron.com/Projects/Fourier/FC_Tr_ad_2.png
berning zotl is fundamentally a different design than ’standard’ otl amps
zotl’s use a ’normal complement of tubes’ - i.e. 4 pcs el34’s 2 per channel like many tube amps - and use a carrier frequency (like radio broadcasting) thru the output tubes bearing the music signal, and then ’strips away’ the carrier frequency before outputting to the speaker load (and in doing so, allows for elimination of standard heavy metal output transformers to perform the impedance matching from output tubes to speakers)... good write up here --->
https://www.lineartubeaudio.com/the-technology
regular otl’s manage the impedance matching by using many paralleled sets of identical output tubes (i recall my fourier amp had 16 pcs 6as7 output tubes to handle the impedance matching --->
http://www.one-electron.com/Projects/Fourier/FC_Tr_ad_1.jpg and
http://www.one-electron.com/Projects/Fourier/FC_Tr_ad_2.png