What is Floyd Toole saying about extra amplifier power and headroom?


I've been reading Floyd Toole's "Sound Reproduction The Acoustics and Psychoacoustics of Loudspeakers and Rooms" and came across a passage that I wish he went into further detail about. It has to do with whether having amplifier headroom has any noticeable improvement in sq. He happens to be talking about getting the bass right in small rooms, but in doing so, he also touches on the use of a larger amp for extra headroom: 

Remedies for unacceptable situations typically included spending more money on a loudspeaker with a “better” woofer (without useful technical specifications, that was a lottery of another kind) and a bigger amplifier (for useless headroom ...

It's the last part ("useless headroom") that I'm curious about. I have notoriously hard-to-drive speakers (Magico Mini IIs). Although the recommended amplification is 50w - 200w, in my experience, that's a bit of an underestimation. I'm driving the Minis with a Musical Fidelity M6PRX, which is rated at 230w @ 8ohms. (The Minis are 4ohm.) The combination sounds excellent to my ears at low to moderate listening levels, but I notice a slight compression in the soundstage at higher levels. My listening room, while small, is fairly well treated with DIY panels made from Rockwool, sound-absorbent curtains, and thick carpeting. So I don't think I'm overloading the room. But I have wondered if an amp with far more power than what's suggested (more headroom) would drive the speakers with a little less effort.

Those of you familiar with Toole or with driving speakers with power to spare, what are your experiences? If I went with, say, a pair of monoblocks that drive 600w @ 4ohm, would the extra headroom address the compression I'm hearing at higher levels? Or am I wasting my time and, potentially, funds that would be better spent elsewhere? 

Thanks!  


diamonddupree
Its not "impossible". Like everything it just has to be done right to get the most out of it. The system is only as good as the weakest link. Not just any amp is likely to cut it with the Magicos.

I heard the minis off a very pricey VAC tube amp and a 6 digit system overall at Sound By Singer in a smaller showroom. That combo was top notch, as good as anything, at least at modest volume in a modest size room. The VAC had plenty of juice for the speakers in that room at modest volume. Did not try to go concert level though its not unreasonable to want to be able to do that. I do. But it may well take larger speakers as well to do that. Most monitors can’t, but Magico Mini’s are not most monitors.

Also headroom is not useless. It’s your insurance policy against clipping.
@onhwy61 sorry, I don't have an SPL meter. And I'm not sure I understand the distinction between dynamic compression and soundstage alterations. I'll have to dig around and pay more close attention. Thanks!
@mapman I've never been able to find anything showing the MF power output @ 4ohms but regarding current, the manual says, "current peak-to-peak: 140 Amps."

FWIW, it's a stereo amp (dual mono) and not an integrated one. Knowing that, would that point to the speakers being a limitation? And would an active crossover be the fix for that, something like this:

https://www.jlaudio.com/products/cr-1-home-audio-subwoofer-crossovers-96020

???

BTW, I already have a powered sub (JL Audio Fathom 110). And it seems to integrate with the Minis nicely. 

And the Bel Canto monoblocks are on my list of amps I want to try out. My local hi-fi store is a Bel Canto dealer so I think I can take them for a spin. 

@millercarbon, I never said I felt stuck with or married to my speakers. The Magico Minis sound incredible to my ears. And I paid a fraction of what they cost new. So I have zero regrets. I'm here exploring tweaks to my system. If I wanted to read about your Tekton Moabs, there are 10,000 other posts on this forum where I can find that information. Give it a rest. 
If you can try the Bel Cantos with no obligation that would be worthwhile I think. I am a big fan of Bel Canto and their products are typically highly regarded in reviews. I also have a c5i digital integrated (60 w 8 ohm/120 to 4) in my smaller family room 2 channel a/v system with my smaller Ohms.

Using a crossover to offload work from the monitors and have the sub pick up the slack is a very reasonable thing to try.
Can’t say what will sound best. Only you can tell. But those are both very reasonable and sound things to try.

Sounds like your MF amp can deliver twice the juice to 4 ohms at least for short peaks that require it. That’s not uncommon and still a good thing. How good? Would need some measurements to know and compare.