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How do you avoid buying new LPs that sound just like CDs?

Most new albums and reissue albums I bought at around $20 sound pretty much like CDs, or even worse.
Some notable exceptions are Norah Jones' Come away with me. It sounds real nice, much better than CD; LP's Lost on You sound pretty good too; Eminem's LP sound good too.

Most LPs that I bought at $40 or over always sound very good. I have two Patricia Barber's LPs and they sound much better than her CDs, but her LPs usually cost $40 or more. Why can't record company make LPs that sound like Patricia Barber's and price at around $20? For me, $20~30 per LP sounds right and I can easily buy them. But for more than $40, I hesitate. Overall, I've bought about 100 new/reissue LPs at around $20 and about 20 at $40 or more over the last 10 years (in addition to about 5K used records that I've collected over 40 some years). 
So, when you buy new or reissue LPs at around $20, how do you avoid those with sub par sound quality? Or, if you like certain musicians and songs, you just buy them without concerning the sound quality?
128x128ihcho
ihcho's avatar
ihcho OP
612 posts
 
In my case I only buy vinyl from analog sources.
Where? Do you have a link?
The sound quality of many releases, vinyl and digital, is often discussed at the Steve Hoffman Music Forums.
Great. Good know know.
Stop buying newly released music on LP or reissues of music made after the 80's.
Probably that's where I am heading into.
Music is way ahead of SQ.
I agree. Sometimes I'm getting into too much of HiFi SQ and neglect the music itself. However, in classical music, you have hundreds to choose from for the music you like, and most times the best SQ matters. 
kijanki's avatar
kijanki
4,428 posts
 
I'm not sure if digital recording has anything to do with it.  My friend works for very large recording studio, known for many highly praised recordings, that dumped analog recording (Studer) decades ago.  The more important issue is compression, necessary to be able to play music with smaller speakers (boomboxes).  It sounds like we need two different medias - one for audiophiles and another for the rest.  At this point I would assume that most of people buying LPs are audiophiles, taking into consideration how impractical they are.  So, I would expect much less compression on LP than on CD.  Do I make sense?
knollbrent's avatar
knollbrent
526 posts
 
@ihcho just keep researching reviews for the vinyl that you want. So are never going to sound good because they were never recorded well or crappy pressing. I shop a lot a Acoustic Sounds because of their in house pressing plant and a huge pre owned vinyl vault. Their great with returns if theirs an issue with the pressing or quality. Discogs is great too. Start looking at reviews is my advice. Enjoy!
tooblue
1,934 posts
 
Just DYDD as there are some very good new releases out there and follow the advice already given. I have found myself in the same situation as I was just buying to buy based on the onvees (cajun for wants) and have been culling my collection as of late. FWIW the New West label is very good  and sell for around $20.00 and have some great artist to pursue, take a look at their 20 Anniversary 6 album box set, best $99.00 I have spent in a long time. Enjoy the music
three_easy_payments's avatar
three_easy_payments
2,097 posts
 
I find Discogs to be a good resource to compare the quality of pressings and to help determine whether analog tapes were used, who did the mastering, pressing etc...Lots of good owner feedback on various pressings.
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