Article: "Spin Me Round: Why Vinyl is Better Than Digital"

😯😮😙😌

IMO: if you think vinyl is better, then you don't have a good dac. Once you get a very good dac, then you will need a great sounding expensive turntable to compete with digital and then I still prefer digital. 
There's much more to consider than just sq in these 2 formats: availability and longevity. Most of my jazz and blues groups didn't produce vinyl for any of their new music. As for aging: Let's play an album and a cd or ripped music each 100 times. Vinyl gets noisier after each play, digital does not.

I’m willing to bet that more often than not audiophiles that greatly favor records over digital, particularly cds due to their general availability since basically Avalon was released (first cd my dad bought at a shop that used to exist in Evergreen, CO called the Blue Spruce), is their first experiences that got them hooked on building an audio system were likely with LPs. I say this because my dad regularly questions if my Node2 streamer with my new MHDT Orchid tube DAC can come anywhere close to a cd player. He often associates streaming with highly compressed mp3s much like the early, and largely very bright DDD cd recordings. He had a Technics record player in the early 80’s, but cds are what hooked him. So much of our preference are imbedded from life experiences that changed us in profound ways, much like great albums like Peter Framptom’s “Framptom Comes Alive” and Bob Seger’s “Night Moves” have been those hooks for so many like myself (among many others). Night Moves instantly takes me back to backpacking trips with my dad in southwest (most memorably Anasazi cliff dwelling canyons). This passion we are engaged in is emotional at its core and therefore very personal. This is why the majority of people I talked to about my system smile with a blank look on their face because they didn’t develop their passion around music and building their own audiophile rig and that’s ok. It solidifies for me how personal my system is to me and how I created a place in this world I can escape in some ways immersed in sonic beauty that brings spine tingles and tears at times. Once in while I truly am able to share it with others and that is priceless as well. This thing of ours drills to the heart of what being human is all about.

Most of my jazz and blues groups didn’t produce vinyl for any of their new music.

More than half of my big collection cannot be in vinyl format ...
Then if someone listen music not to the sound first, the choice of digital is simple....You are right for sure...

I’m willing to bet that more often than not audiophiles that greatly favor records over digital, particularly cds due to their general availability since basically Avalon was released (first cd my dad bought at a shop that used to exist in Evergreen, CO called the Blue Spruce), is their first experiences that got them hooked on building an audio system were likely with LPs.

For sure when you have already vinyl collection you stick with your first habit...

These 2 posts explain this eternal non sensical debate analog versus digital....

Merry Christmas to the two of you....



P.S. i hope someone will understand my point about the fact that there is no ideal or better alternative in the absolute from between which we must choose, digital or analog...It is an illusion associated with habit or promoted with the alias of "taste"....

Because we must choose, first and last, natural instrument "timbre" sound quality and it is a room dependant phenomenon, not a digital or analog dependant phenomenon at all.... And the perception of timbre is not mainly a taste induced phenomenon either....

And timbre is not best perceived in so called " warmer" or "cleaner" system, or in digital or analog system, We cannot  reduce "timbre" to some frequencies summation and this phenomenon  is ultimately and acoustically room dependent for his adequate rendition and perception...In one word the room contribute more than the engineering design of the analog or the digital system for his ultimate perception....

First of all, although I part ways with the author numerous times, there is real content here. Those who responded specifically on issues of audio quality either didn’t read carefully enough, didn’t understand it or chose to respond with issues of your own agenda. That is fine. This is a social site and we all want to have our voices and concerns heard.

This misunderstanding also is true  for those digital defenders who jumped into a discussion of quality digital reproduction. If you did that, you were not paying sufficient attention. The author states he is speaking of the paradigmatic content in which each format is played. We audiophiles are a strange minority and little about our musical reproduction proclivities is paradigmatic of anything. It is 100% unarguable that most listeners of digital music use compressed media and often as background. That may well change but for now it remains true.  
The paradigm of each reproduction format shapes the aesthetic experience of the music for most who participate in that format. Does anyone here doibt that? Why?