Hey OP,
Don’t be so upset about the Klipsch yet! See the dip around 28 Hz? This is a typical close mic measurement of a ported speaker. This is normal. Ideally you also close-mic the port, and sum the two together which is somewhat complicated math to do right. For more on this, see D’Appolito’s work, Testing Loudspeakers.
As you move the mic away from the sub, the rear port contributions will come into play, but so will the room. Unfortunately this is how we have to do it to get quasi-anechoic measurements of ported speakers.
Next, you are right, the Starke is pretty flat, but the crossover is not doing what normally you’d expect. The THX standard, which many try to match, is a 4th order low pass filter for the sub. This helps match with a main sealed speaker that has a 2nd order high pass applied. As Duke has previously noted (and looked through the messy data) this looks somewhere between a 1st and 2nd order low pass filter.
Instead of changing the crossover frequency, you are changing the slope, and in all cases you are left with a rather low Q factor for the filter. A bad thing, meaning the filter’s effects are visible almost down to 20 Hz no matter what the setting is.
So while I like the speaker curves overall, the built-in crossover is a coarse beast. Definitely get a miniDSP and leave the sub’s crossover "wide open." You’ll be able to not only execute a 4th order low pass filter at any Hz, but you’ll be able to clean up some of the anomalies and add millisecond level delay to the sub, allowing you to perfectly phase match with your mains.
Also, please note how much better this is than your original measurements. Now that you can see how well it does, you know what to shoot for. :)
Best,
E
Don’t be so upset about the Klipsch yet! See the dip around 28 Hz? This is a typical close mic measurement of a ported speaker. This is normal. Ideally you also close-mic the port, and sum the two together which is somewhat complicated math to do right. For more on this, see D’Appolito’s work, Testing Loudspeakers.
As you move the mic away from the sub, the rear port contributions will come into play, but so will the room. Unfortunately this is how we have to do it to get quasi-anechoic measurements of ported speakers.
Next, you are right, the Starke is pretty flat, but the crossover is not doing what normally you’d expect. The THX standard, which many try to match, is a 4th order low pass filter for the sub. This helps match with a main sealed speaker that has a 2nd order high pass applied. As Duke has previously noted (and looked through the messy data) this looks somewhere between a 1st and 2nd order low pass filter.
Instead of changing the crossover frequency, you are changing the slope, and in all cases you are left with a rather low Q factor for the filter. A bad thing, meaning the filter’s effects are visible almost down to 20 Hz no matter what the setting is.
So while I like the speaker curves overall, the built-in crossover is a coarse beast. Definitely get a miniDSP and leave the sub’s crossover "wide open." You’ll be able to not only execute a 4th order low pass filter at any Hz, but you’ll be able to clean up some of the anomalies and add millisecond level delay to the sub, allowing you to perfectly phase match with your mains.
Also, please note how much better this is than your original measurements. Now that you can see how well it does, you know what to shoot for. :)
Best,
E