Timbre perception implied "timing" of bundle of micro events, that are simultaneous and successive at the same time or synchronized in a 4 dimension of a concrete acoustical-neurological space and it is a phenomena perceived and interpreted only for human ears... Something is lost then in the reductive 2 dimensions of signals theory...Timbre is not first an information set, it is first a dynamical event....
This is why many human ears vouch for analog... Their timbre learning recognition process is their witness...
Myself i own digital and in the beginning was very distress by his limitations... But for the last 2 years my embeddings controls devices and my choice of dac( Nos +minimalistic design ) make me smile again...
I dont pretend that my system now is better than any turntables but on par with many of them.... The parameters in plays are way too complex to speaking in the absolute sprouting some dogma...
This is why many human ears vouch for analog... Their timbre learning recognition process is their witness...
Myself i own digital and in the beginning was very distress by his limitations... But for the last 2 years my embeddings controls devices and my choice of dac( Nos +minimalistic design ) make me smile again...
I dont pretend that my system now is better than any turntables but on par with many of them.... The parameters in plays are way too complex to speaking in the absolute sprouting some dogma...