@tomic601 , that makes no sense at all.
If you go into an actual natural environment, short of being in a cave, or very close to a cliff, or in front of a large tree, the only source of reflection is the ground, and normally that is dirt and somewhat soft (absorptive) ground cover. Trees by virtue of being somewhat round, make excellent diffusers. That negates your whole argument right there.
Also negating your argument is your room is not the recording studio, or the concert hall, or the church. For the most part you want to negate the impact of the room so that the acoustical cues in the recording are clearly communicated to the ears/brain and you hear what was recorded. Removing early/loud reflections via speaker placement, broad band absorbers, and diffusion absolutely will do this. Close late reflections are bad too.
I expect few people have actually heard stereo speakers in an anechoic chamber. Contrary to popular opinion, it is not bad at all, with pin point natural imaging. There is a big difference between audio reproduction and a new sound created in a room. Voices sound weird in an anechoic chamber because there is none of the expected echo. Recorded music sounds predominantly natural because the echos are already built into the recording. Your eyes and brain may be at odds though. That nature you mentioned? Predominantly it behaves more like an anechoic chamber w.r.t. music reproduction than it does the average listening room.
If you go into an actual natural environment, short of being in a cave, or very close to a cliff, or in front of a large tree, the only source of reflection is the ground, and normally that is dirt and somewhat soft (absorptive) ground cover. Trees by virtue of being somewhat round, make excellent diffusers. That negates your whole argument right there.
Also negating your argument is your room is not the recording studio, or the concert hall, or the church. For the most part you want to negate the impact of the room so that the acoustical cues in the recording are clearly communicated to the ears/brain and you hear what was recorded. Removing early/loud reflections via speaker placement, broad band absorbers, and diffusion absolutely will do this. Close late reflections are bad too.
I expect few people have actually heard stereo speakers in an anechoic chamber. Contrary to popular opinion, it is not bad at all, with pin point natural imaging. There is a big difference between audio reproduction and a new sound created in a room. Voices sound weird in an anechoic chamber because there is none of the expected echo. Recorded music sounds predominantly natural because the echos are already built into the recording. Your eyes and brain may be at odds though. That nature you mentioned? Predominantly it behaves more like an anechoic chamber w.r.t. music reproduction than it does the average listening room.