My opinion and that of many colleagues (not all) has been that ON BALANCE analog tape gets closer to the sound of real.
You see now I know you are lying. Why because I am quite open about my experience having developed, modified, optimized, world class studio equipment much of my life and spent too much time listening to live feeds and recording feeds from just before digital when analog was at its peak (I optimized many a tape machine) all the way through the digital revolution. I started my career with tape optimization. I spent 100s of hours listening to what was being played and recorded live.
I would have a very hard time finding a recording engineer with the relevant experience, and I have dealt with 100s, who would claim that the analog recording was more "real" or true to the source. Ones that work with high end professional gear and have experience with both just don't say that because it is not true. You won't be able to tell the difference between a live feed and the digital studio recording. They are indistinguishable. With tape you always knew ... Always. The artifacts are readily noticable.
Recording engineers don't use terms like dynamic micro nuance or whatever made up term you created.
Now many engineers and artists preferred the euphonic colorations of tape. Took some of the edge off perhaps, fattened the bass, etc. That is why we have digital plug ins to simulate those effects.
I don't expect people to believe me. Do a search for highly experienced engineers who worked from the 80s -2000s. Some have written articles. All will say digital is what accurately recreates the source (warts and all). Many will also say that tape presented a more pleasing recreation, but not more accurate. Now they just recreate that in software and get the best of both worlds.