Why I spent a small fortune on my listening room and Hallograph/Synergistic Research tweeks for acoustics, Townshend, Stillpoints and Synergistic Research for electronic vibration control:
- No front wall reflection control Use SR HFTs, 24 on four walls and ceiling
- No first reflection control same answer with side wall acoustic foam damping and suspended acoustical foam damping Bass traps built into the walls (activated charcoal panels)
- The reflections off the glass table - No furniture, one large couch
- The reflective equipment between the speakers - Nothing located between speakers, equipment is off to the side
- The lack of symmetry due to the windows on one side, and the wall/records on the other side-No openings, 2 Swinging Doors 17" thick same construction as walls, perfectly symmetrical design
- The blinds (that will rattle) - None
- The reflective pictures on the wall - None
- The reflective (curio/china cabinet?) in one corner behind the speakers, but not the other - None
The Hallographs focus the sound of the Legacy Focuses, open the soundstage and help imaging, combined with SR HFTs, improve the functionality of the speakers.
I have head Frank's system and it is substantially superior to 95% of audio show setups I've heard. I've heard the best but it was priced at $1+ million. It was capable of projecting the best imaging, tonality, dynamics and soundstage in a 70' X 30' X 18' room (approximate) with my music (LP&CD). Amazing. I have captured much of that room as has Frank in our systems; however, what I lack is the physically "realness" of the recording event. Which is why I intend to upgrade to a much more costly speaker. The Signature IIIs and Focuses are a huge bargain, basically built to a price point at the time which was affordable (used-a steal).
Setting up the acoustics and vibration control pays huge dividends but is a MAJOR hassle, not as easy as paying your money and buying the equipment. I also hate mounting and setting up a cartridge but the results are inestimable.