Why not objectivist music reviews?
"Objectivist" equipment reviews are gaining in popularity, enabling audiophiles to rest easy knowing that their preferred piece of equipment with SINAD of
98 is _objectively_ better than one with SINAD of 97.5
Why not do the same for music?
I propose the following criteria for guitarists as an example:
1. Notes per second (NPS)--since speed is valued as a sign of mastery in an instrument, why shouldn't someone who plays faster be considered better than a slower player? (Goodbye, David Gilmour!)
2. Mistakes Per Minute (MPM) - - accuracy counts!! You could say it is equivalent to jitter or THD+N in equipment. (and goodbye, Jerry Garcia!!)
3. Length of Leads (LOL)--If you're so good, why are your solos so short? This is a no-brainer (later, guitarists before 1966!)
Put these together, and there is only one rational conclusion:
JOE BONAMASSA IS THE GREATEST GUITARIST OF ALL TIME
Thoughts?
WW
98 is _objectively_ better than one with SINAD of 97.5
Why not do the same for music?
I propose the following criteria for guitarists as an example:
1. Notes per second (NPS)--since speed is valued as a sign of mastery in an instrument, why shouldn't someone who plays faster be considered better than a slower player? (Goodbye, David Gilmour!)
2. Mistakes Per Minute (MPM) - - accuracy counts!! You could say it is equivalent to jitter or THD+N in equipment. (and goodbye, Jerry Garcia!!)
3. Length of Leads (LOL)--If you're so good, why are your solos so short? This is a no-brainer (later, guitarists before 1966!)
Put these together, and there is only one rational conclusion:
JOE BONAMASSA IS THE GREATEST GUITARIST OF ALL TIME
Thoughts?
WW
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- 15 posts total
- 15 posts total