Mojo Audio Mystique EVO

I received the Mystique Evo on the 22nd of January, and I've been too busy listening to my system than to bother logging onto Audiogon. My system puts me "in the zone" every time I listen now. 

Grannyring mentioned that the music swells when raising the volume. My interpretation of his statement to what I hear with the EVO is that we were used to hearing the amplification of distortion when the volume was raised. Now we hear the amplification of a clear signal, and it's a new experience. When turning the volume down, there is still audible information that I was not used to hearing before having the Evo. 

@c_avila1  Congrats!  Exactly the outcome we all hope for, but so few actually achieve.

Congrats, @c_avila1 

"In the zone" - a great description.

If you don't mind, what interconnects are you using with your EVO?

I recently switched to Cerius Graphene Matrix, which in my system, is was a great match.

In my case with the EVO  I was originally using Silnote Audio Orion RCA's and Poseidon Digital cable, and  I am presently using Acoustic BBQ Double Helix RCA's and Digital cable (made by Audiogon member grannyring) . In both cases I have been very pleased with the natural, smooth , balanced sound they both provide'  all of the detail of the music effortlessly flows through

Thanks @veroguy and all for keeping up this thread and for providing the feedback about optimal connections.  I am planning to use AES/EBU out of a Metrum Ambre Roon endpoint.  I used I2S with my Metrum Adagio but AES/EBU sounded just as good.  With the Mystique V3 I have here, USB sounds better than S/PDIF-RCA in my system but I know Benjamin has improved the inputs significantly in the EVO.  I will also try USB with the EVO and will keep an open mind.  I have heard the Adagio has a crappy USB implementation, which may explain why I didn't like it as much with that DAC.    
I am glad the EtM reviewer liked the EVO 21 so much since the unit he reviewed was pretty much exactly what I have on order, i.e., a 2021 B4B inside of a 2020 chassis, including the Class A output stage, Lundahl chokes in the analog power supply, and ERS paper shielding.  Benjamin is also providing the correct sized footer openings to accommodate my Stillpoints that are left over from another project.  I really look forward to hearing it - if it is even 10-20 percent better than the V3 it will be very good indeed.