Joseph Audio Pearl 20/20 could be another great option to consider.
https://www.josephaudio.com/pearl3
(disclaimer....I'm a Joseph dealer).
https://www.josephaudio.com/pearl3
(disclaimer....I'm a Joseph dealer).
Replacement for 802 D3s
Joseph Audio Pearl 20/20 could be another great option to consider. https://www.josephaudio.com/pearl3 (disclaimer....I'm a Joseph dealer). |
Not in the least surprised by your reaction to B&W. Trust us, even if you like the Paradigm at the store, they'll be exiting your house faster than the B&W. Good alternatives: Harbeth and Vienna Acoustics. Seek out the Liszt or the Music if you can swing it. Otherwise as stated, Sonus Faber, Joseph, Vandersteen. |
I bought the persona 7f 5 months ago and drive them with a hegel h360. I think what impressed me most is that the bass is as transparent and fast as the rest of the system. Your list looks like a win, win, win. The Wilson being the biggest pita to dial in, but always sound amazing at shows. Have fun. |
I’d highly suggest only looking at speakers with a cloth dome tweeter. Having auditioned a ton of speakers over the years, I’ve generally found myself much more drawn to them and tend to find metal dome tweeters too bright and harsh for my tastes. That includes every pair of B&W’s I’ve heard over the years, which I find to be particularly bombastic. I ended up with Egglestonworks speakers which, to my ear, are incredibly well-balanced, image wonderfully, and are designed to be non-fatiguing for use by mastering engineers. I’ve heard a few Revel and Harbeth speakers from your list; I don’t think the Revels will be what you’re looking for but you might like the Harbeths. I’d describe them as a bit of a magic trick - the ones I heard (can’t remember which, maybe the HL5s?) sounded absolutely huge compared to their tiny size and completely disappeared. I didn’t find them as musically engaging as the Egglestonworks that I directly compared them to though. |