When is digital going to get the soul of music?


I have to ask this(actually, I thought I mentioned this in another thread.). It's been at least 25 years of digital. The equivalent in vinyl is 1975. I am currently listening to a pre-1975 album. It conveys the soul of music. Although digital may be more detailed, and even gives more detail than analog does(in a way), when will it convey the soul of music. This has escaped digital, as far as I can tell.
mmakshak
Kijanki, your last couple of posts are simply inaccurate. Analog was not made from some digital master tape, except in the last 20 years or so, and as I said before, some of it is still not. Digital recording technology did not even exist before the very late 70's, and I don't think it was commercially available until 79, though I don't know the exact date. And again, the amount of distortion, in either medium, is not small. And in the digital medium, it occurs at much more musically objectionable frequencies, which cannot be helped, no matter how much better the medium gets. I am not talking numbers here, I am talking in terms of the audible difference to the human auditory system, which is much more sophisticated than any machine yet invented. In respect to it's resolution of harmonic overtones produced by the voice and other acoustic instruments in particular, analog is much closer to the sound of these instruments. Which is why von Karajan later retracted that statement, which was made in the early days of digital when it was hoped that this harmonic distortion problem could be solved. When so-called sound engineers try to "prove" otherwise, you can be sure they are crunching numbers instead of using their ears. Those are the same engineers that maintain that there is no audible difference between two pieces of equipment with the exact same specs. Most audiophiles actually use their ears, and know otherwise. This is getting us into the classic subjectivist vs. objectivist debate. I repeat - no one I know who has ever heard the same recording on the same system has ever preferred the digital to the analog. There are many fine recordings one can use to test this - my brother's favorite is the Reiner/Chicago Symphony recording of the Bartok Concerto for Orchestra.
I like vinyl and digital.

I would agree that analog is more mature today than digital (its been a round a lot longer). But it also ain't going anywhere new at this point. It is what it is and is ever going to be anything much more. That's jut the reality of things for better or for worse.

I've done specific a/b tests between vinyl and CD releases of the same title (a couple of reviews posted here on Agon as well). I've found subtle differences both ways that might affect preference either way in specific cases.

Each recording had limitations compared to the ideal in that I have never heard a perfect recording. I suppose any limitation short of lifelike can be considered distortion. Noise was not an issue in any case. Signal in all cases far exceeded any noise.

Granted these were pop/rock titles, which are less demanding. I agree that large scale classical works on CD may typically lag behind their vinyl brethren in regards to being completely satisfying.

But I don't associate "soul" with classical music in general. For titles more in the "soul" genre, CDs generally work fine.
I can't stand CD players, save for the few non-oversamplers out there. They sound beautiful and natural. On the other hand, I will never suffer those vinyl anxiety fits ever again.
"Those of us who have open ears are the ones keeping analog alive"

Assuming we're talking about vinyl specifically, actually I think it is those of use with large existing record collections and those shopping for used vinyl that is keeping the equipment manufacturers alive at least.

It is nice to see a few new pressings in some of the stores these days though.
Mapman - we're not talkin about comparing CD to vinyl. I just reacted to statement that digital will never rival analog. LPs are made from digital recording last 20 years - how it can be better than its origin? I has to go from digital to analog thru the DAC and in addition thru LP, pickup, RIAA preamp. How LP can improve sound of original master tape I don't know. LP is pretty much dead - (about 1 million record total sold last year) and nothing new on the horizon. How anybody can know for certain that LP will never be surpassed by digital? The word "denial" comes to mind. As I said we're not talking about 44kHz CDs.