Is my anti-skating too strong.


I’m trying to adjust the alignment of the Ortofon Black Quintet cartridge on my Music Hall mmf 9.3 turntable.  When I put the stylus down on the alignment protractor, the tone arm pulls to the outer edge of the turntable.   Should I disable anti skating when doing alignment or is it set too strong?  Obviously haven’t done this too often.
Also, when listening to the anti skating track on The Ultimate Analogue Test LP, there is noticeable distortion at the end of the track which indicates too much or too little anti skating.  Any guidance here?
udog
Congrats on the music hall 9.3, great choice! I love my 7.3, was going to get the 9.3 but I did not like the overall look of cutout for motor, whereas on the 7.3 it looks better thought out. Of course yours is a step up from the 7.3 sound wise. As far as antiskate, disconnect fishing line from post when aligning cartridge. You only have three choices for antskate on that table. The most inner is the least amount, the outer is the most. Set stylus down on a record with lots of dead wax near label. Watch how the arm moves toward spindle, it should move slow and steady, not too quickly. When you see the slow and steady you are where you should be. Like I said, you only have 3 settings to choose from. 
Clear thinker, I do apologize for being so pedantic, but your point #1 is blatantly incorrect. In fact all of our pivoted tonearms mounted so the stylus overhangs the spindle WILL generate a skating force even at the two null points, because of headshell offset angle. I am not sure I understand your point #2, because the null point is defined by the exact spot where the stylus contacts the surface of the LP, so the stylus can never “overhang” a null point. Or perhaps you are being facetious, for which I cannot blame you.
Justme, what I objected to in MC’s generalization was his saying “no overhang, no skating force”. I believe that is a direct quote from his post. The fact is that any pivoted tonearm, whether it overhangs the spindle or not will generate a skating force. The one exception is for in underhung tonearm, or a tonearm where the stylus does not reach the spindle. Such tonearms are built with zero head shell offset angle. In that case, when the stylus tip is at its single null point on the surface of an LP, for that instant only, there is no skating force. Everywhere else on the LP there is a skating force, even with an underhung tonearm. I don’t disagree that when you have the stylus overhang the spindle, per se that will cause a skating force. It’s the Pythagorean Theorem.
@lewm 

In fact all of our pivoted tonearms mounted so the stylus overhangs the spindle WILL generate a skating force even at the two null points, because of headshell offset angle. 

Not wishing to stretch this overwrought saga out, but this is not correct.
Skating forces are due to the offset headshell/cartridge AND the pull on the stylus.
At tangent the inward skating force is zero, and therefore at the 2 null points it is zero.

Justme, what I objected to in MC’s generalization was his saying “no overhang, no skating force”. I believe that is a direct quote from his post. The fact is that any pivoted tonearm, whether it overhangs the spindle or not will generate a skating force. 


NO NO NO WRONG WRONG WRONG! Actually worse than wrong, confused beyond recognition. Stop confusing everything!

Look lewm, you said spindle! The spindle has nothing to do with it! Skating forces are generated by the stylus not tracking tangentially.

Look, forget pivoted arms for a second. Think about tangential tracking arms.

Do you at least understand that a tangential tracking arm has no skating force to contend with? Because it is tangent. Perfectly perpendicular to the groove at the point of contact. Because when perfectly perpendicular the force is perfectly parallel to the arm and there is no skating force. Do you at least understand that much?