The Absolute Sound vs Pleasing Sound


I have changed my mind about this over the years. The absolute sound (closest to real live music) just can't be accomplished even though I have heard some spectacular systems that get close on some music. So years ago I changed my system to give me the sound I wanted. I'm much happier now and all my music collection can be enjoyed for what it is: Recorded music.  
128x128russ69
Inmho, striving to achieve the 'same' sound at home like on some live concert (even 'unplugged') is missconception in start, for many reasons.
Stereo reproduction beeing the first and obvious one. (there is no stereo sound in the nature, or 'pin point' imaging)...mono guys could glove, but not for long...
I believe that at home you can reproduce the tone(s) with a great accuracy, but thats about as close or as much you will get to 'copying' the actual event.
Everything else is just us enjoying our own illusions


Just recently there was a nice article about the subject, posted on Audiogon as well.
Hope you dont mind me posting it again

https://medialux.blog/2019/10/27/true-to-the-source-some-thoughts/?fbclid=IwAR0ZqQND7gHbWovl7BvHe5uR...


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Frog and I are on the same page.
Biggest problem that I see is speakers. Do you want them to be 'neutral' transducers as much as possible or you also consider them 'instruments' as well ? Well, I would probably want to have two pairs of very different speakers.

With all due respect to some of our venerable members whose advices and comments I usually enjoy, music is an art but music reproduction is all science and engineering.  Hi-Fi is about high fidelity.  That doesn't mean we are not supposed to adjust the sound of our systems to our tastes, moods and budgets.  However, when I buy a Kind Of Blue album, I expect to hear what Miles Davis intended for me to hear, not what the recording engineer thinks it should sound like.  There is no room here for compromise.  Music reproduction should not be like a painting, it should be like a photograph.  The higher the resolution, the better the lenses, the better the result.  We are allowed to pick the filters to our liking but not to change the composition.  We do have a lot of liberty as to what filters we like but we should thrive to stay close to the original.
"...I expect to hear what Miles Davis intended for me to hear, not what the recording engineer thinks it should sound like."

There is a chance that Miles Davis was involved in that process to some extent. There are many pictures of musicians sitting next to engineers in front of the console.