The Absolute Sound vs Pleasing Sound


I have changed my mind about this over the years. The absolute sound (closest to real live music) just can't be accomplished even though I have heard some spectacular systems that get close on some music. So years ago I changed my system to give me the sound I wanted. I'm much happier now and all my music collection can be enjoyed for what it is: Recorded music.  
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«Are you saying that the mother’s womb is at the same time the first recording studio and listening theater?»-Zeppo Marx

«Timbre’s speech is the template of music»-Anonymus Linguist

«Are you saying that God speak before making music or noise?»-Chico Marx

«Is there not too much intelligent design here?»-Harpo Marx

«Not at all,mother was our original goddess»-Groucho Marx
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**** No. Just no. #1 effect is speakers. #2 is usually the microphones. #3 is acoustics of the concert hall, #3b is where you are sitting. The electronics of amplification would be somewhere, comparatively down around 10.****

As usual, missing the forest for the trees in the rush to nit pick and get your digs in. As painful as it may be, please read my posts in their entirety. If you take my quoted paragraph literally and out of context, yes (maybe), speakers MIGHT be #1; depending on the particular gear in question (“Crown”, anyone? 😊). In the context of my overall comment, “electronics of amplification” refers to the totality of amplification gear; the process of amplification. If you read and consider the total post, it is perfectly clear what is meant.

Regardless and more importantly, thanks for making and confirming my general point with your hasty comment and its stated “hierarchy”. Glad you agree with me on the general point. How nice it would have been, instead, to agree with the general idea as you did anyway and then go to the specifics; or, God forbid, ask for clarification in a friendly manner. 
Regards. 


The only thing you're going to get in your room is  reproducing what's on the medium not what was originally live in the studio or live in a concert venue. The more transparent or neutral your electronics sans speakers will only take care of that part of the equation in your reproduction effort . Should your speakers have a flat FR from 20hz to 20khz  adjusted to the Harman curve? Are nulls and peaks in your room addressed ? Testing has shown most people prefer that. Perhaps you don't,  but are you reproducing what's on the medium in a neutral way? To me trying to chase  a live concert sound in your room is a fool's errand. I can get a trumpet to sound like a trumpet but not like one playing in my room, I really wouldn't want that, same with drums, guitar,  violins,  pianos. I've been in enough rooms playing and singing having a good time but that's not what I'm looking for nor what I expect from my stereo. I only expect to try and reproduce whatever medium I'm listening to with as little coloration as possible. In other words what used to be known as high fidelity.