How can it be from 0 to 180 degrees if it needs to intersect with null in the room from one wall to the other.. If it is only so wide (the null) and using the width of single panels, what goes by the panels (untreated) will literally come back and bite you in the As$. I see how it works, and in a LONG room it may be practical, IF you can get the break closer to a front or back wall.. BUT in my listening room?
Pretty darn UGLY having a break dead center of the room. To treat a (50hz) problem wave. What about 80 and 120. LOL It would start looking like huge chess board Wouldn’t you agree..
The spring traps address 3 different areas and just needs to be adjusted for volume and the frequencies you want.. I like that kind of thinking...
Honey I fixed the bass problem..
Click Click, I’m peaceful she’s not.. :-) The spring traps I could get away with in the front room but 1.5 meter hurdles, that’s a bit of a stretch. Get Ready, Set, GO!!!!
Pretty darn UGLY having a break dead center of the room. To treat a (50hz) problem wave. What about 80 and 120. LOL It would start looking like huge chess board Wouldn’t you agree..
The spring traps address 3 different areas and just needs to be adjusted for volume and the frequencies you want.. I like that kind of thinking...
Honey I fixed the bass problem..
Click Click, I’m peaceful she’s not.. :-) The spring traps I could get away with in the front room but 1.5 meter hurdles, that’s a bit of a stretch. Get Ready, Set, GO!!!!