@avanti1960 ,
"I would say speakers of today tend to be more over the line towards detail and speakers of previous eras tended to be under the line and closer to forgiving."
Isn't this the dreaded upwards tilting of the high frequencies that many loudspeaker manufacturers are still tempted to introduce for the sole effect of being more impressive in the show room?
This practice (along with tipping of the bass - the so called smiley EQ) seems to be even more common in the world of headphones where a design with a flat response is almost unheard of.
No wonder most engineers still prefer to mix on professional monitors.
"I would say speakers of today tend to be more over the line towards detail and speakers of previous eras tended to be under the line and closer to forgiving."
Isn't this the dreaded upwards tilting of the high frequencies that many loudspeaker manufacturers are still tempted to introduce for the sole effect of being more impressive in the show room?
This practice (along with tipping of the bass - the so called smiley EQ) seems to be even more common in the world of headphones where a design with a flat response is almost unheard of.
No wonder most engineers still prefer to mix on professional monitors.