This guy describes the Tannoy Legacy Eatons as sounding holographic....I’d have to agree, as I own them.
"What the Eatons did was to pick up the lead singer, Mark E. Smith, and drag him forward into new space. Then they placed air and space around him. I felt that I could have risen from my chair and walked around him. That was how crafted the image was. Not so much 3D as hologrammatic!
https://theaudiophileman.com/eaton/
Then there is this one:
"The soundstage of the Legacy Eaton was so spatious that I could take a swim in it. The old vinyl record of Count Basie’s orchestra acquired a completely new dimension as did the Ravels’’s Nocturne from Daphnis and Chloé (Serge Brando, Czech Philharmonics). The look into the pastoral landscaper was so seducing through the Legacy Eatons that I played the track several times in a row"
http://www.audiodrom.net/en/stand-mount-monitors/detail/29-stand-mount-monitors/576-tannoy-legacy-ea...
"What the Eatons did was to pick up the lead singer, Mark E. Smith, and drag him forward into new space. Then they placed air and space around him. I felt that I could have risen from my chair and walked around him. That was how crafted the image was. Not so much 3D as hologrammatic!
https://theaudiophileman.com/eaton/
Then there is this one:
"The soundstage of the Legacy Eaton was so spatious that I could take a swim in it. The old vinyl record of Count Basie’s orchestra acquired a completely new dimension as did the Ravels’’s Nocturne from Daphnis and Chloé (Serge Brando, Czech Philharmonics). The look into the pastoral landscaper was so seducing through the Legacy Eatons that I played the track several times in a row"
http://www.audiodrom.net/en/stand-mount-monitors/detail/29-stand-mount-monitors/576-tannoy-legacy-ea...