audiophile rockers


I was listening to Steely Dan's Katy Lied CD ( played the LP endlessly in the seventies) and was reading the updated liner notes by Becker and Fagen...they were mastering the sound with double Maggies and an Audio Reseach D-76 amp back in 1974. Are there an other audiophile rockers like those two?
auralone
It's realy not necessary to master recordings with Maggies.
There is a substantially large volume of the various studio monitors to master a sound even more superior than with Maggies even back 40 years ago. It's not even audiophile equipment has a large factor of the good recording quality. It's definitely something more and my example is...
Frank Zappa not only sounds great but the music and musicians can realy hide the recording imperfections. Seing the movie "Apostrofe" made by his son Dweezil makes me believe that his records are brushed with excellence of professional mixing of large bands independed of an audio equipment used.
Another example of recording art is album Nunsexmonkrock by Nina Hagen:
Nunsexmonkrock totally grinds. It makes fun of just about everything, from the church ('Antiworld') to drugs ('Smack Jack') to religious obsessions ('Taitschi Tarot') to pompous futuristic declarations ('Future Is Now') to alien life ('UFO'). But even if you cannot make out the actual lyrics - and I sure can't most of the time - the very sound of the music is enough to drive you wild. Nina gets even more production-concerned on this album, which usually means featuring tons and tons and tons of vocal overdubs; sometimes there's as much as four or five Ninas vocalizing at the same time, each one in a different key and a different voice, yet in some perverse manner these overdubs merge together real well. Oh gosh, I mean, it's just my friggin' opinion.

So recording is more an art than quality of the studio monitors and equipment.
The Grateful Dead's 'Wall of Sound' was forty eight 300-watt per channel McIntosh model MC 2300's. Bob Weir still prefers it on stage and at home.
Hi all ! I read somewhere that the highs on Katy Lied was flawed due to a bad adjustment on the eq , or something like that . Also , that Becker and Fagen never listened to the final album because of this .
Katy Lied was one of the first albums recorded with dbx noise reduction. Unfortunately the encoder malfunctioned, and they were never able to recover the original fidelity, even when dbx tried to hand tweak a decoder to complement the flaws in the faulty encoder.