Speakers The single most critical component

I’m surprised that otherwise sane members of this forum would take mozartfan seriously 

I don‘t really. just took the bait.....

There’s no getting past the transducer/s that produce the sound.
The loudspeaker is where the rubber hits the road, I would agree that to have a truly immersive sound, the speakers come first.

The rest of the equipment, even the room, and the recording aught to compliment the speakers. Of course without synergy it all collapses, I do think however that the device turning the AC current into audible bliss is the foundation upon which the rest of the system relies, and the qualities it voices.

A guy reads a single review and claims an apocalypse on any other type of speakers. WOW I‘m amazed. ’Too much acid’ again comes to mind.

I do think however that the device turning the AC current into audible bliss is the foundation

what about the device turning music into AC current in the first place?

I do think however that the device turning the AC current into audible bliss is the foundation upon which the rest of the system relies, and the qualities it voices.

Affirming a common sense fact does not erase another common sense fact...Ordering the 2 facts ask only for some logical reasoning...


It is relatively easy to find relatively good speakers...( relatively to your purse but this does not invalidate my point at all).

Then without negating the impact of the choice of speakers, my point was to indicate a deep underestimated fact: psychoacoustic phenomena...

Like you just said it is important to adapt the room to the speakers... If not, the speakers will never give their optimal S.Q.

(Anyway at the speed of sound the waves crossed my room many times before my brain analyse all this, i listen in a small room to the multiples reflected frontwaves even in near listening...)

Give me any good speakers i could make it sound great....i know howto do it now at no cost...

Take any good speaker put it in a bad room... listen...This will seems "good" only because people will have no idea at all the way they would have sound in a good room...

Then it is easy to buy relatively good speakers but the most important piece of the job is acoustic...

The only reason people dont understand that is simple.... They never lived through it.... I did...Like i said passive material treatment is only half of the job, we need also unbeknownst to most active mechanical room controls...Especially if our speakers are not very costly one in more costly acoustic room.... active acoustic controls may cost peanuts it is the good news ...It cost me peanuts...

There is no comparison at all between a pair of speaker in a good room compared to the same pair in a bad room....Even the increase in S.Q. by an upgrade will not do the job most of the times save if you go over the roof in price perhaps...Most people think that imaging, timbre perception, soundstage are ONLY attributes of the gear, but they are only partially right, most of these factors depend heavily on room controls not only on passive materials treatment...

A simple example...Why most very rich audiophiles invest more in the room sometimes than in the gear, mike lavigne for example ? do they think that their speakers are so great they can put them in an ordinary room?


By the way i installed springs under and over my speakers with my own method... This give a big difference in S.Q. But this difference is very small compared to the huge transformation of the room....It is the same thing for the decresing of the electrical noise floor...It is an audible difference when we decrese the noise floor but this does not compared to the room acoustic either.... For sure none  of these changes is replaceable by the others but the more impactful audibly is the room controls on ALL aspect of sound in a more than audible way....Transformative completely....

If i did not insist on that who will?

My deepest salutations to you my friend....

And appropriate respect for sure....