A Cantilever / Stylus is a Sacrificial Part of a Cartridge and Obviously very very fragile.
My TT started out in Life mounted at a Height of approx 30 inches, I have previosly Stated I have worked with a TT in the recent years at mounted lower than 18 inches.
My TT's at present are Mounted for use at 48 inches.
From all recollections the 48 inch Mount Height offer the most assured handling of the Tonearm, as the Haptics and Visual elements of the operation carried out in a setting where Good Balance is Maintained and the Visual is very accurate when when using Judgement for aligment of the Tonearm.
No More going onto one knee to eye the Stylus to the Groove and no short cuts by Trusting the oversail from a down view and after mistakes made being over compensating.
The Downside of the assured accuracy that can be achieved when a TT is raised to a Mount at approx 48 inches is that the Outer Grooves will let the listener be aware of how much surface noise is being produced.
When Over compensating the Tonearms oversail is used, the Track usually starts with a Stylus engaging a Groove beyond any intro's and the Outer Groove is not coming into contact with the Stylus.
Another point of interest would be to learn, if there is a difference in the numbers of Cantiver / Stylus Handling Damages occuring, due to handling a Tonearm on a Low TT Mount vs High TT Mount.
I ask this, as there are always a story to be picked up on, where another experienced HiFi Enthusiast is reporting on the unwanted moment, and a Damage is done.
My TT started out in Life mounted at a Height of approx 30 inches, I have previosly Stated I have worked with a TT in the recent years at mounted lower than 18 inches.
My TT's at present are Mounted for use at 48 inches.
From all recollections the 48 inch Mount Height offer the most assured handling of the Tonearm, as the Haptics and Visual elements of the operation carried out in a setting where Good Balance is Maintained and the Visual is very accurate when when using Judgement for aligment of the Tonearm.
No More going onto one knee to eye the Stylus to the Groove and no short cuts by Trusting the oversail from a down view and after mistakes made being over compensating.
The Downside of the assured accuracy that can be achieved when a TT is raised to a Mount at approx 48 inches is that the Outer Grooves will let the listener be aware of how much surface noise is being produced.
When Over compensating the Tonearms oversail is used, the Track usually starts with a Stylus engaging a Groove beyond any intro's and the Outer Groove is not coming into contact with the Stylus.
Another point of interest would be to learn, if there is a difference in the numbers of Cantiver / Stylus Handling Damages occuring, due to handling a Tonearm on a Low TT Mount vs High TT Mount.
I ask this, as there are always a story to be picked up on, where another experienced HiFi Enthusiast is reporting on the unwanted moment, and a Damage is done.