I do much the same with my endpins for cello. One polarity of the shear wave travels on the solid brass outer surface while the other polarity of that same shear wave travels thru my chosen materials loaded in the center core. The rod is tipped off with a geometry that reduces blow back of reflections off the coupled surface. This blow back is the interfering energy that returns up thru the endpin pollutes the strings and bridge and becomes part of all the recurring notes..Just like in an audio platform or rack. Careful selection of materials and geometry are key.
Not 2 fast and definitely not 2 slow.
Tom
Not 2 fast and definitely not 2 slow.
Tom