So how can a great system solve less than great recordings


It seems no matter how good a system is, the quality of recording quality takes priority.

Formsome reason nobody talks about challenges of making older recordings sound better.  Classics from 70s and 80s are amazing tunes, but even remastered editions still cant make sound qualiity shortcomings all better.  Profoundly sad.  Some older stuff sounds quite good but lots of stuff is disturbing.


jumia
The original question is based on a profound and yet all too common misperception about high end audio. It is not about making recordings sound good. The very best cost no object system cannot possibly ever make anything sound good. That is a completely inside out and backwards understanding. What the very best components and systems do is nothing. Nothing. Not one tiny little thing.

Well, except amplify so we can hear. But other than that, nothing. The whole point is to be able to hear the original recording in as much fidelity as possible. Fidelity by the way means truth. High fidelity means highly truthful. Does not mean good. Truth ain’t always pleasant to hear now, is it?

Case in point.
Hi end (and the rest) systems remain at the mercy of lesser quality recordings, past and present.

tried a rolling stones album and it sadly didnt sound so good, ‘ let it bleed’.

its sad. Thats all.

Fortunately, linda ronstadt albums sound really good.  Some stuff from that era were done better.  
Of course high end is about making tunes sound better.  Ie. Effort to eliminate all the crap that degrades sound while on route from source to a driver.

of course its about making it all sound better.

how condescending to suggest people dont understand this point.
@jumia,

"Hi end (and the rest) systems remain at the mercy of lesser quality recordings, past and present."


As they must. Such is life.

I think we have to assume that the people making the original recording got it right.

If they didn’t then no system will ever get it right. Therefore a remaster (or even shock! horror! - a remix) might be required.

But with so many different editions of popular albums now available it often becomes a question of which one is the best.

George Harrison’s 1970 All Things Must Pass album (triple LP) has been reissued many times since and yet there is no clear consensus as to which version is the definitive one (so far).

The original UK vinyl release on Apple might still be the best, but copies are rare.

Some of the digital versions have been simply awful, yet new ones keep on coming every few years.
how condescending to suggest people don’t understand this point.
Actually, it is not condescending but right. Yes its about making the music sound better. But, The music sounds best when it is brought forth in the purest of signal from the source material. This was the goal of high fidelity., to be faithful to the music as recorded. That means not adding or subtracting anything to/from it. Adding things to make it sound better, IE tone controls, is often a band aid to fix something in the signal. However, it brings about distortion. The shortest path of a signal is what is desired. Adding controls IE tone controls adds to the signal.