So how can a great system solve less than great recordings

i think what great systems can do is to unravel and reveal the musical truth of more complicated dynamically challenging recordings that seem opaque, or harsh, or confused on lesser systems. this can be with any media type.

but great systems cannot overcome poor recording processes or poorly mastered media.....or poor performance.

garbage in = garbage out.

but how can you know when it's the fault of the media, recording, or performance.....or your system? that only comes from lots of investment of time and effort. not a quick and easy thing.

i have a number of recordings that were referred to me (as special and worth investigating) but i could not understand or relate to them until my system evolved to the point where i could hear what was happening musically. i suspect it was also me that had to evolve to appreciate the musical intent.

so viewing any music as less than great might be more about us as listeners, than the recording. but system development has it’s role too.

the best systems can reliably separate the wheat from the chaff. which is a main reason for improving your system, for more music to matter to you. widen your reach and depth of your experience.

an easy example that illustrates how a great system can find the musical truth is what happens with early mono pressings. you might have a few laying around that someone gave you. you play them with your stereo cartridge and they might sound like crap. who could ever want to listen to this?

but find a great mono cartridge, or better yet a great mono cartridge with a 1.0mil stylus, and all the noise and harshness you hear with your stereo cartridge gets bypassed and you can mainline the dynamic magic of early mono. and the early mono recordings are some of the best recordings EVER MADE.

who knew?

you might have a few of these sitting around, waiting for the effort to be made to be uncovered?

who knew?

Perhaps those who have heard well produced  digitally remastered versions of those otherwise obtuse early mono releases on phono. 😉

Old recordings are a goldmine of great music and interesting sound that those who were weaned on music from The Beatles era and newer often tend to completely overlook.   That was the golden age of hifi when it was all new and people cared about good sound and therefore so did the recording industry.  

Poorer older quality cooms from a qobuz stream.  
Is older stuff handled well by qobuz?

I don’t have qobuz nor have I heard it but no reason why it shouldn’t.